In this lesson, I’ve laid out three classic B.B. King lines that Jazz guitarists can study, break down and apply to their playing in order to translate the vocabulary of this legendary guitarist into their jazz soloing lines and phrases.
This time around, I'm going to ask you to try something. Put the guitar down before your next session—before you start laying down guitar tracks. Put it down and listen. Listen to the song. Then listen to yourself. Your mind. Heart. Soul. What do you hear? Do you hear something different than you originally expected?
As you can see in the brief video below, the addition of certain key techniques can add a great deal of expression to your playing. In this video, I demonstrate some simple introductory concepts using the first position of the A minor pentatonic scale.
After all, the pentatonic scale is nearly ubiquitous as a cornerstone of modern rock lead playing. And fours is a common rhythmic grouping, especially considering that most rock songs are written in 4/4 time. As a result, we hear pentatonic fours patterns in rock leads all the time, especially in keyboard and horn parts.
I'd like to address a very meat-and-potatoes bit of info that very rarely gets mentioned. Who should I emulate to be a session guitarist? The answers and the reasons for each may very well surprise you. You might assume you know how to play like these guys, but, until you really try it, you do not know how!