ii-Vs are some of the most commonly used and important chords in the jazz repertoire. It’s a progression you’ll see often as a jazz guitarist, so being able to confidently solo over these chords is an essential skill. When first learning to blow over these chords, we often start with the Dorian and Mixolydian modes over each chord, respectively.
In this month’s column, I’d like to present a few single-note patterns that are designed to fortify fret-hand/pick-hand coordination while they strengthen your overall chops and ability to play fast and clean. In my own experience, I have found that drilling on one or two very specific melodic fretboard shapes works wonders in uncovering technical areas of weakness in both hands.
We were discussing robotic guitar tuners, tuning machines that tune themselves. I first saw this on a Gibson guitar. Now I saw a new one. Then I did a search. I even saw a robotic tuning tool. It got me thinking: How may young guitarists are taught to tune the guitar by ear these days? I mean really taught, as in making it a requirement?
We all know a solo should be driven by melody, but every solo needs some craziness, too. The pentatonic scale is very melodic by nature, so even when playing fast licks or runs with this scale, there's still an underlying beauty to it (while the speed takes care of the extremeness needed to lift your soloing to new heights).
My Number 1 seller is the $20 CD/shirt Combo. I sell my T-shirts for $15 each and CDs for $10. If somebody wants to buy one of each, the price is $20. When people see this value, they snap it up. I can afford to sell the combo so cheap because of my purchasing.