I'd like to address a very meat-and-potatoes bit of info that very rarely gets mentioned. Who should I emulate to be a session guitarist? The answers and the reasons for each may very well surprise you. You might assume you know how to play like these guys, but, until you really try it, you do not know how!
Behold the Jeff Craig Line. We might be looking at the world’s first amp-in-guitar combination. It was most likely built somewhere in the 1950s. Possibly a prototype, this guitar is loaded with speakers, batteries, solid-state guitar amp and all covered with textured paint.
Stevie Ray Vaughan released four studio albums, a live album and a Vaughan Brothers album, not to mention enough leftover live and studio material to fill several posthumous albums and a box set. He even found the time to perform on albums by several other artists — from Teena Marie to Stevie Wonder to Don Johnson — very often with fiery results.
When you first learn the three-note-per-string and/or single position seven-note scale, you learn the patterns starting on the low E string and work your way up to the high E and back. You do this for each of the seven patterns up the neck, practicing and perfecting your scales. This is great! The only problem is, this is how you are training your hands and brain to approach them.
It has become a huge part of my playing style, and I’m always looking for new and different ways to incorporate sweep picking into musical ideas I come up with. Last month, I detailed the basic mechanics of the technique, and now I’d like to further demonstrate its proper execution.