What you will be watching is a screen shot of the session files for a song called "Getting Out of My Own Way." You'll see each individual track played or programmed in creating a successful production. The song was recorded in 2012. The singer/songwriter is Jennifer Vazquez, a very talented vocalist and writer from Da Bronx, NY.
First, the purpose of this column is to help you do more with your power chord progressions. If you think it’s over-simplified or over-complicated, then please consider the possibility that it’s simply mismatched with your skill level, before you comment. We also must consider the context of the information. Power chords are fairly simple.
These lessons are aimed at breaking through barriers that may be preventing you from improving. Some of these lessons will simply give you some good food for thought, and some will be more hands-on. Written to help you get past that plateau, these lessons are here to help you mix things up and keep your relationship with the guitar an interesting one.
Playing the part is only half of the equation. The other half is deciding on the type of guitar, choosing the strings, selecting the hand technique (fingerstyle or using a pick or "plectrum," as they like to call it here in the U.K. — maybe because it sounds more complicated that way) ... and, if fingerstyle, which finger, and which part of the finger? The flesh, the nail, a bit of both?
The cascading waterfall of sound that is Eric Johnson's lead playing has captivated players and listeners for 30 years. In Johnson's ethereal soundscape, all the edges are smoothed away. Even the distinction between scales and arpeggios seems to blur. His patterns tumble imperceptibly through positions. And his limitless supply of sparsely voiced diatonic chord substitutions only enhances the vertigo.