I recently looked over all of the guitar gear I have, even though half of it I don’t even own anymore. It’s easy because I long ago started keeping a list that details each piece I ever bought, when I bought it and how much I paid. Besides being useful for insurance purposes and satisfying a neurotic compulsion to document my goods, the list provides a database of my gear history.
Originally written for violin, there are many different versions you will find for guitar. There is no, single, master version for guitar, since it wasn't written for the instrument. Learning a few different versions would be a good idea. The different approaches will present varying techniques and interpretations.
Being a guitarist involves pushing your boundaries with the instrument. Many players find themselves struggling to develop the physical abilities needed to play like their heroes, and they never settle on a consistent set of exercises because they find themselves drowning in so many different suggestions. In this column, I discuss some essential practice techniques you can work into a simple, short daily routine.
When soloing, I try to use a balanced mix of scales, intervals and arpeggios. Something I always struggle with is trying to incorporate arpeggios into my solos without having them sound too generic. A lot of the common arpeggio shapes are difficult to use without sounding "cliche" or like a bad Yngwie Malmsteen clone.
We were discussing robotic guitar tuners, tuning machines that tune themselves. I first saw this on a Gibson guitar. Now I saw a new one. Then I did a search. I even saw a robotic tuning tool. It got me thinking: How may young guitarists are taught to tune the guitar by ear these days? I mean really taught, as in making it a requirement?