Exotic Techniques: Techno Arpeggios for Dance Music and Beyond

Posted 02/13/2012 at 3:07pm | by Cyamak Ashtiani

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Here's a technique I use that helps me groove with an electronic four-to-the-floor dance groove. It's also is reminiscent of the "arpeggiator" plug-ins you hear in modern dance music, electronic music and even modern pop music like Pink, 30 Seconds to Mars, Lady Gaga and other well-known artists.

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Satch Sounds: The Tone King’s Exclusive Look at Marshall’s Joe Satriani Signature Series Amp

Posted 02/13/2012 at 1:22pm | by The Tone King

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While at the 2012 Winter NAMM show, TheToneKing.com scored an exclusive interview with Joe Satriani. I got a chance to talk to him about his new Marshall Signature Series Amp. His new amp is the result of a joint designing venture between Joe and Marshall’s lead engineer, Santiago Alvarez. Based on the circuit and layout of the JVM410, this amp sports four channels and three modes per channel.

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The Do's and Don'ts of Playing Live

Posted 02/13/2012 at 11:24am | by Jake Dreyer

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Around the time of the last entry I had just joined the heavy metal band White Wizzard (Earache Records), and shortly thereafter we left for a month long tour with Firewind in the United States, followed by a two month European run as direct support for Iced Earth.

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Guitar Strength: Slippery, Sliding, Open-Voiced, String-Skipping 7th Arpeggios

Posted 02/10/2012 at 3:27pm | by Scott Marano

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This time around, I’d like to share a trick based around a deceptively easy-to-play, simple concept that will add some sophistication to your improvisations (while also being sure to turn heads with its attention-grabbing coolness!): open-voiced, string-skipping 7th arpeggios.

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Guitar Girl'd: Interview with Malina Moye, When Left Feels Right

Posted 02/10/2012 at 12:50pm | by Laura B. Whitmore

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With an upside-down, left-handed style that can’t help but evoke Jimi Hendrix, Malina Moye straddles both rock and soul. Her enthusiastically funkafied spirit is contagious. She gorgeous. She’s talented. She can rock her ass off.

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Exotic Techniques: Techno Arpeggios for Dance Music and Beyond

Satch Sounds: The Tone King’s Exclusive Look at Marshall’s Joe Satriani Signature Series Amp

The Do's and Don'ts of Playing Live

Guitar Strength: Slippery, Sliding, Open-Voiced, String-Skipping 7th Arpeggios

Guitar Girl'd: Interview with Malina Moye, When Left Feels Right

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Latest Guitar World Blog Posts

Exotic Techniques: Techno Arpeggios for Dance Music and Beyond

Satch Sounds: The Tone King’s Exclusive Look at Marshall’s Joe Satriani Signature Series Amp

The Do's and Don'ts of Playing Live

Guitar Strength: Slippery, Sliding, Open-Voiced, String-Skipping 7th Arpeggios

Guitar Girl'd: Interview with Malina Moye, When Left Feels Right

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