Here's the first installment of Chopin's Piano Concerto in A minor, Opus No. 2. I've arranged it for guitar, and as you can see, it's not for the meek. But if you've been diligently practicing the chromatic exercises from my past few lessons, you should be ready to tackle it.
The album, the follow-up to 2013's Memphis, features a guest appearance by Bonnie Raitt, who duets with Scaggs and adds her characteristic slide guitar to “Hell to Pay.” The song, which Scaggs wrote himself, is a knowing indictment of corruption on a personal and political level.
Bass is more than just a guitar with two fewer strings. It has a different tone, scale length, feel and musical role, and in many cases it requires a different conceptual and technical approach. Guitarists who are new to playing bass will often double the guitar part one octave lower. There is certainly a place octave doubling — just listen to Aerosmith's "Sweet Emotion," Led Zeppelin's "The Ocean" and Pantera's "I'm Broken." But there is so much more that can be done with the bass guitar.
John Page Classic, a new guitar brand that brings the custom-design genius of John Page, co-founder of the Fender Custom Shop, to production guitars, has announced the Ashburn, its initial production model. The double-cutaway, hard-body Ashburn was designed by Page and produced to his standards in a state-of-the-art workshop in Japan and set up in the U.S. by authorized John Page Classic techs.
Regarded by many as the three most vital purveyors of pure hard rock/heavy metal sonic evil, AC/DC’s Angus Young, Led Zeppelin’s Jimmy Page and Black Sabbath’s Tony Iommi have each forged a distinct, instantly recognizable guitar style and sound. After more than three decades of dedicated service, all three players continue to influence countless up-and-coming metalheads the world over, and an in-depth study of each guitarist’s distinct musical personality is mandatory for any aspiring hard rock player.
On September 6, 1968 — at the behest of George Harrison — guitarist Eric Clapton entered Abbey Road Studio Two in London to overdub lead guitar onto a brand-new Beatles song called "While My Guitar Gently Weeps."