If pedal effects were colors on a painter’s palette, I’d describe overdrive as black or white, distortion as red or blue, and fuzz as purple, mainly because fuzz is typically best used sparingly.
Describing the EarthQuaker Devices Terminal, which is a fuzz pedal, I’d go even further by comparing it to a glossy, metal-flake hue of heliotrope, but one that you’d want to use in excess, such as to paint a hot rod.
Being a metal guitarist is both a blessing and a curse. The blessing is that metal is one of the few musical styles where every variety of guitar tone—from pristine clean to high-gain heaviness—is welcome.
The curse is that most amps that can deliver the necessary variety of tones needed to play metal are friggin’ expensive. The Blackstar HT Metal 100 is an affordable exception, providing three channels, versatile EQ and more than ample gain for players of any style of metal.
These videos and audio files are bonus content related to the August 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
When it comes to echo and delay pedals, guitarists have a choice of analog or digital, each of which has its pros and cons.
Ibanez’s ES2 Echo Shifter combines the best of both worlds by mating a superb, no-compromises, all-analog audio path to a digital control circuit. Better still, the Echo Shifter features unique oscillation and modulation circuits that add greater versatility, letting you create everything from subtle to extreme sonic weirdness.
Electro-Harmonix has introduced the B9 Organ Machine. From the company: With nine finely-tuned presets emulating the legendary organs of the Sixties and beyond, the B9 Organ Machine delivers definitive tonewheel and combo organ sounds.
Eventide has announced the immediate availability of its new channel strip plug-in. The UltraChannel 64-bit native plug-in for AU, VST and AAX64 for Mac and PC features micro pitch functionality from the H8000, stereo delays with variable feedback paths, plus two stages of compression, gating and five bands of parametric EQ.
The car looks fantastic. I chose a '41 Willys in the same color as the car I drive, metallic orange (I like Halloween). The car doesn't simply sit there and do nothing. To add to the cool factor, the engine lights up on either side when the pedal is engaged, along with the headlights.