Here’s some quirky fun from New York’s Emilyn Brodsky. It’s “Scaffolding” from her new album Emilyn Brodsky Eats Her Feelings, which releases tomorrow, September 23, 2014. This rhythmic tune showcases her introspective lyrics and starkly croonalicious vocals.
In this week’s episode of Sunday Strum, I demonstrate an example using eighth note triplets. This is a basic way of practicing them, but if you are more comfortable with the rhythm, feel free to switch it up and apply triplets any way you like. The eighth note triplet rhythm translates to three eighth notes in the space of two eighth notes.
Here’s a great track and video from South Africa’s Jeremy Loops. It’s “Sinner” from his upcoming album Trading Change, due out January 1, 2015. It’s a sad song of loss with a hopeful ending (I won’t spoil it for you).
We’ve teamed up with Venice Beach, CA-based songwriter Joe Con to premiere his track “Said and Done.” Centered around Con’s laid-back, poetic croon, the track manages to seamlessly blend folk, pop and hip hop. While hooky and melodic, the track has a dreamy, lullaby-like quality that seeps in more with each listen. "This song was written in Burlington, Vermont the fall before I moved to LA,” says Con.
Check out this candid jam featuring Tommy Emmanuel and Igor Presnyakov performing “Hit the Road Jack.” The video was posted just a week ago on Presnyakov’s YouTube channel. Emmanuel and Presnyakov come from two separate schools stylistically, but it’s great fun to watch the pair trade licks back and forth. Presnyakov leans on the classical side of things, but his playing blends perfectly against Emmanuel’s picking chops.
Today we’re excited to premiere The Jason Spooner Band’s video for “Fireflies.” If you’re having a hard time letting go of summer, then this video’s for you. The “Fireflies” video is built on a creative idea that allowed fans to be included in the video-making process. Fans were encouraged to visit www.fireflies2014.com, download “Fireflies” for free, and upload a summery photo or video that would be considered for inclusion in the song’s official video.
Even if one were to limit himself to an examination of pop songwriting over the last 40 years, a true instructional “guide” would take up many volumes, as it would involve a serious study of musical theory. Our aim here is to prove a sampling of common chord progressions that you can use with your own songs, and to examine some of the things a guitarist can do to add a little zip to his or her songs.