Hailing from El Paso, The Dirty River Boys are quintessentially Texas: A bit rough around the edges but full of heart. Today the band releases their gnarly self-titled album, which is produced by Grammy-nominated Chris "Frenchie" Smith. Inspired by 200,000 miles of cross-country touring and living between two culturally different worlds in the border town of El Paso, the album was recorded at Sonic Ranch, a spot that's appropriately bordered by the Rio Grande and Old Mexico.
What happens when a guitar player runs out of (patience for) drummers? He creates the Beat Buddy—the love child of a guitar pedal and a drum machine. Sleek, compact, easy to use right out of the box, the Beat Buddy is a MIDI-based pedal drum machine that enables musicians to easily control the beat hands-free.
When a song gets stripped down to its basic elements, you can tell its true genius. And that’s what comes to mind with this live acoustic version of “Sinners and Saints” by Chicago pop-folk-rock group, The Future Laureates.
Today we’re pleased to bring you a western-tinged track from Michael Sackler-Berner. It’s “Midnight Crisis” the b-side of the first release in a series of digital 45s (with both a- and b-sides), which will culminate in Michael Sackler-Berner’s double EP release due out February 11th, 2015. This song perfectly expresses that feeling of desperate realization that things just are not gonna go as planned.
In this final installation of Get Better Faster, we apply everything we've learned about the mechanics of the instrument to that most challenging of hurdles for new guitarists –– bar chords. Learning to play bar chords comfortably is a daunting but necessary part of every player's development; the key to mastering them successfully has a bit to do with understanding how to hold your hands, but even more to do with patience. This one just takes time! But, you can make that time easier if you begin to understand the way bar chords actually work.
Today we’re excited to share the full stream of On Such a Full Sea Are We Now Aloat by Oh, Cassius! Equal parts haunting vocals and idiosyncratic string ensembles, On Such a Full Sea We Now Aloat is just different enough to open your mind, but just familiar enough to lull you into its rhythmic languor.
In honor of what would have been his 74th birthday, here’s a rare clip of John Lennon performing “Imagine” live. The performance was filmed at New York City's Apollo Theater December 17, 1971. Rather than playing the piano, which the song was composed on, Lennon plays an acoustic guitar and is accompanied by a group of acoustic players.
There’s nothing quite like a really fine instrument. You touch it and it responds almost with a magnetism that draws you in. You play it and it’s as if everything you know and love about guitar comes into sharp focus. Here, to add to your yearning, are ten beautifully made guitars. Each worthy of your next daydream.
Here is a lovely acoustic version of the pop song “Chandelier,” originally performed by Sia. This sumptuous version by Fatai gives new meaning to the song, infusing it with heartfelt longing supported by some sweet fingerstyle guitar.