Here’s some quirky fun from New York’s Emilyn Brodsky. It’s “Scaffolding” from her new album Emilyn Brodsky Eats Her Feelings, which releases tomorrow, September 23, 2014. This rhythmic tune showcases her introspective lyrics and starkly croonalicious vocals.
In this week’s episode of Sunday Strum, I demonstrate an example using eighth note triplets. This is a basic way of practicing them, but if you are more comfortable with the rhythm, feel free to switch it up and apply triplets any way you like. The eighth note triplet rhythm translates to three eighth notes in the space of two eighth notes.
Here’s a great track and video from South Africa’s Jeremy Loops. It’s “Sinner” from his upcoming album Trading Change, due out January 1, 2015. It’s a sad song of loss with a hopeful ending (I won’t spoil it for you).
We’ve teamed up with Venice Beach, CA-based songwriter Joe Con to premiere his track “Said and Done.” Centered around Con’s laid-back, poetic croon, the track manages to seamlessly blend folk, pop and hip hop. While hooky and melodic, the track has a dreamy, lullaby-like quality that seeps in more with each listen. "This song was written in Burlington, Vermont the fall before I moved to LA,” says Con.
Check out this candid jam featuring Tommy Emmanuel and Igor Presnyakov performing “Hit the Road Jack.” The video was posted just a week ago on Presnyakov’s YouTube channel. Emmanuel and Presnyakov come from two separate schools stylistically, but it’s great fun to watch the pair trade licks back and forth. Presnyakov leans on the classical side of things, but his playing blends perfectly against Emmanuel’s picking chops.
As always, several members of the Guitar World crew were on hand at the 2014 Summer NAMM Show in lovely and talented Nashville, Tennessee, taking pics, getting the latest gear news and shooting plenty of videos.
Here’s some rare footage of two guitar legends at work. It’s Chet Atkins joined by Mark Knopfler in a 1987 performance. The duo plays the standard “I’ll See You in My Dreams” followed by a rendition of John Lennon’s “Imagine.” The former track appears on Atkins' and Knopfler’s 1990 collaborative album, Neck and Neck.
Today we’re excited to share this captivatingly beautiful song from Louise Goffin’s sixth solo album, Songs From The Mine. With a lifetime spent soaking up the finest music of her generation (her parents are Carole King and Gerry Goffin), Goffin used the benefit of her heritage and experience to deliver a rich palette of beautifully written and performed songs.
In today’s episode, I demonstrate a chord progression using mixed meters. I achieve this by simply switching time signatures each measure or two, depending on how you want to count it. I give the first three chords 3 beats each and the last chord 2 beats. This can be also thought of as 6/8 then 5/8.
Sucré — the solo project of singer Stacy King (Eisley) — has announced its first-ever tour this summer. Kicking off September 4 in Houston, the run continues through eastern U.S. markets including Atlanta, Nashville, Washington DC, Boston, New York, Philadelphia, Chicago and more before concluding September 23 in Dallas.
Today we are stoked to share a new song from Walter Salas-Humara. It’s “Satellite,” a laid back, clap along track with a cool groove, that has us searching for communication from above! Salas-Humara, a visual artist and singer/songwriter, is co-founder of the seminal Americana band The Silos. He’ll release this third solo album (and first in 18 years), Curve and Shake, on August 12 via The Orchard.
Perhaps their most explosive and thrilling release to date, Rodrigo y Gabriela's 9 Dead Alive captures the duo bursting with melodic and rhythmic invention. Opening track “The Soundmaker” is evidence of this raw energy. Watch an exclusive performance of the song right here!
I started writing songs before I could play the guitar. I've been trying to catch up to what I hear ever since. The process, since day one, has been like waiting for the arrival of friend. Never a literal attempt at creating. It has been going on at a steady clip for a long time now. I find writing the song the easy part. The hard part is making sure I should write the song.