When I first began writing, I wrote from an innocent and raw place. I was 11 years old when i wrote my first song. As I recall, it was about Lee. She lived up the street from me and we had been classmates at school since first grade. So I wrote my first song about my first crush. I had something to say. It came from a place of passion. I wanted so badly to be able to say to Lee what I was writing down on paper.
I am so psyched to share the song that has been in my head for minutes and seconds and hours and...well, when you listen you'll get the idea. It's "28 Days" from Nashville-based Suzie Brown's upcoming album, Almost There, due to hit on May 6, 2014.
You get the sense right away that Ryan Adams’ Heartbreaker isn’t your typical country album, or your typical any sort of ordinary album for that matter. Released in 2000, Heartbreaker was the first solo album from Ryan Adams, a distinct voice in the small alt-country genre that sprung up in the mid-90’s.
With his new record, The Straight and Narrow Way, NYC-native Riley Etheridge Jr. is proclaiming a new sound. Here we have a chat with Etheridge in our interview. Check it out, and enjoy an exclusive stream of album-standout “The Maze,” featuring Sara Watkins of Nickel Creek.
Here I'd like to share a new song on a very classic guitar. "That’s Enough For Me" comes with a driving Travis picking guitar part which is central to the song. The song is in swing time with a few cheeky little bends and pattern shifts that make it a bit of a right hand tangle.
Here's some tasteful and incredibly skilled playing by young guitarist Ben Lapp. He picked up his first guitar at age 12, and began writing his own music, and recorded his first album, The New Color, at age 14.
Standing as probably the greatest American songwriter of all time, the musical catalog of Bob Dylan is nothing short of awe-inspiring. 35 studio albums, 11 live albums, and innumerable compilations contain countless brilliant moments from the always confounding Dylan. Of particular interest is his Bootleg Series of previously unreleased material.
As songwriters, we think of tempo as the most basic of basics. Tempo, or the speed at which we perform a song, is sort of the quiet engine, the driving force behind all our tunes; yet, because we consider it so "Songwriting 101," tempo can sometimes become songcraft’s sadly neglected middle child.
If you’re playing by yourself or with just a couple of friends who have their own amplification equipment, you should probably be checking out acoustic guitar amps. They are smaller, more convenient and generally cheaper than a PA, and are apt to be more useful. Some currently available models have a separate channel for a mike input, so you can even use them to amplify your singing as well.
There’s no denying, this is the decade that acoustic comes into its own. From the rootsiest traditional down-home country, to bluegrass, soul, rock, funk and pop and beyond, acoustic instruments have been taking center stage in all genres, and I say, good for us!
What’s next on the bucket list when you’ve sold 16 million albums and garnered three Grammy nominations, two American Music Awards, and five BMI Pop Awards for songwriting, including BMI’s coveted "Songwriter of the Year" award? How about going back to the basement…?!
I work with a lot of songwriters on through SongTown USA that are trying to turn their hobby into a profession. The most common mistake I see in those aspiring songwriters is that their songs tend to wander around. They start strong with the first verse. It tends to stay on topic. By the time they get to the chorus, they are chasing a couple of rabbits down different trails. The second verse is where it usually falls apart. By the time they get to the bridge, there are rabbits running everywhere.
“It’s hard to recover from a bad year,” sings Terry Price in the opening track of my favorite release of 2013, Photo Ops’How To Say Goodbye. “Friends that were with us are no longer near / But hey, I’m glad to be alive.” As Price’s first release under the alias of Photo Ops, the shimmering guitar pop found within How To Say Goodbye is a deeply personal ode to death, loss, growing up and moving on.