These videos and audio files are bonus content related to the March 2015 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
Iron & Wine’s upcoming release, Archive Series Volume No. 1 opens with an eerie ambiance with the whispery, immediately grabbing “Slow Black River.” What follows is an anthology of thoughtful sketches, each a peek into the psyche of the talented Sam Beam, aka Iron & Wine.
Julian Lage is much more than just a jazz musician. While his musical foundation is rooted firmly in the world of bebop and swing, his playing encapsulates the full breadth of 20th-century American music. The ghosts of Eddie Lang, Skip James, Doc Watson and Elizabeth Cotton haunt his vintage Martin 000-18, with which he creates a sound that is distinctly modern yet deeply indebted to the American folk music tradition.
Clay and I continually running into people throughout SongTown territories that have "write-up-itis." We can spot the affliction immediately, because we have both battled this dreadful and potentially fatal disease in the past.
Bill Lloyd doesn't play music, he IS music. And good music at that! From founding The Long Players, the uber popular band in Nashville who play classic albums from beginning to end with famous guest singers to in Nashville to writing his own classic albums under his name and previously Foster & Lloyd (RCA). Bill understands songs inside and out both technically and emotionally.
Critically acclaimed trio The Stray Birds will embark on a fall US tour beginning September 18. The band will be touring in support of their second full-length album, Best Medicine, out October 21 on Yep Roc Records. The itinerary includes a stop in Nashville at the Americana Music Festival and Conference, in addition to appearances in Philadelphia, Duluth, Boston, New York City, and more. Full list of dates below.
We recently had acoustic guitarist Tommy Emmanuel drop by the Acoustic Nation studio. In addition to an exclusive interview and lesson, he also treated us to a personal performance of his track, “Hope Street.” Inspired by the unlikely combination of George Harrison and Keb’ Mo’, the tune implements Emmanuel’s trademark picking style along with some genius melodic work.
Cifras, a Brazil-based guitar-centric website, posted this brief video to its Facebook page earlier this month. It shows a 10-year-old blind boy, Felix St. Hilare of Quebec, Canada, performing a bit of Robert Johnson-style Delta blues on acoustic guitar, which he plays flat on his lap, much like the late Jeff Healey.
In this episode I go over a basic strumming pattern stressing the downs in the first measure and the ups in the second measure of each chord. This can help to create a powerful feel without being abrupt. The key is to be fluid in the right hand. Experiment with this concept using various chord progressions.
So you’ve reached that point in the song; you’ve written two verses and a chorus, and that little voice in your head says “I need to write a bridge.” But do you really??? When do you know if a song truly needs a bridge?
These videos and audio files are bonus content related to the October 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
I know what you’re thinking. Slipknot and “acoustic” just don’t go together. But the band, Listopad, disagrees. And you will be glad you do when you check out their acoustic video of Slipknot’s “Before I Forget.” This super cool unplugged take is loaded with energy and angst.
Although all of these classic songs may not have been originally recorded on acoustic, they all are perfect for an acoustic jam. These aren’t ranked in any order, just ten great songs that are super easy to play. Even if you can’t master the iconic riffs that are part of most of these, they’re all great to add to your fun strumming repertoire.
Certain memorable themes, like those of Bill Wither’s “Lean on Me” and Gustavo Santaolalla’s "Brokeback Mountain," to name just two, artfully derive melodies and chordal accompaniment from an extraordinarily useful system called scale harmony.