Here’s a great track and video from South Africa’s Jeremy Loops. It’s “Sinner” from his upcoming album Trading Change, due out January 1, 2015. It’s a sad song of loss with a hopeful ending (I won’t spoil it for you).
We’ve teamed up with Venice Beach, CA-based songwriter Joe Con to premiere his track “Said and Done.” Centered around Con’s laid-back, poetic croon, the track manages to seamlessly blend folk, pop and hip hop. While hooky and melodic, the track has a dreamy, lullaby-like quality that seeps in more with each listen. "This song was written in Burlington, Vermont the fall before I moved to LA,” says Con.
Check out this candid jam featuring Tommy Emmanuel and Igor Presnyakov performing “Hit the Road Jack.” The video was posted just a week ago on Presnyakov’s YouTube channel. Emmanuel and Presnyakov come from two separate schools stylistically, but it’s great fun to watch the pair trade licks back and forth. Presnyakov leans on the classical side of things, but his playing blends perfectly against Emmanuel’s picking chops.
Today we’re excited to premiere The Jason Spooner Band’s video for “Fireflies.” If you’re having a hard time letting go of summer, then this video’s for you. The “Fireflies” video is built on a creative idea that allowed fans to be included in the video-making process. Fans were encouraged to visit www.fireflies2014.com, download “Fireflies” for free, and upload a summery photo or video that would be considered for inclusion in the song’s official video.
Even if one were to limit himself to an examination of pop songwriting over the last 40 years, a true instructional “guide” would take up many volumes, as it would involve a serious study of musical theory. Our aim here is to prove a sampling of common chord progressions that you can use with your own songs, and to examine some of the things a guitarist can do to add a little zip to his or her songs.
The lovely and talented Sara Bareillies took the stage last night on Jimmy Kimmel Live to perform her single, " I Choose You" from her latest album, The Blessed Unrest. Her instrument of choice for the live performance was The Loar LO-16 small body acoustic. I don't know about you, but I've been seeing smaller body guitars popping up all over the place, and this one is sure worthy of a sit down. I'm told it has that front porch blues-box sound, which seems like a good place to start!
Austin City Limits/em> (ACL) presents Americana music originals, Sarah Jarosz and The Milk Carton Kids in a brand new episode premiering February 1. Both artists showcase their bona fides in an all acoustic hour with roots/folk singer-songwriter Jarosz making a return appearance on the ACL stage and newcomers The Milk Carton Kids in their ACL debut. The episode showcases the young folk acts who were both nominated for Best Folk Album at this year's Grammy Awards.
Violent Femmes, in many ways, were as punk as it comes. Their music was raw, passionate, and completely unique. They never fit into any sort of genre, other than the arbitrary, encompassing “post-punk” label the music industry used for bands that didn’t sound like anybody that had come before. But most impressive of all, they turned their backs on one of rock music’s most basic elements, volume. Violent Femmes were raw and unhinged in the classic punk spirit; and they did it acoustically.
Often, people ask me when, how and where I find inspiration. I generally tell them that I sit down on a couch every day with a blank word document on the screen in front of me and a guitar in my lap. If inspiration doesn't show up at 10:30 when my co-write starts, then I start going through my idea file or playing my guitar.
If there's anyone who can shred on acoustic guitar with jaw-dropping effect, it's Tommy Emmanuel. Here he runs through "Guitar Boogie" and "Stevie's Blues," a song he wrote for the late, great Stevie Ray Vaughan. You might be flabbergasted when you finish watching. You might be shaking your head. Me, I have a big ear-to-ear grin and am gonna hit replay.
Lâg Guitars is now offering the T80 Dreadnought Acoustic and T80DCE Acoustic/Electric guitars in the US. These new guitars are part of Lâg's Tramontane line of acoustic guitars, which are distinguished by their use of fine woods and finishes, proprietary preamp/pickup systems, and a detailed rosette design.
Sevendust didn’t waste any time getting 2014 started the best way they know how: being holed up in the recording studio to create their long-awaited and highly-anticipated acoustic album. TIME TRAVELERS & BONFIRES will be released in April on 7Bros. Records, in conjunction with ADA Label Services. On April 1, they’ll hit the road for their first U.S. headlining tour of the year, entitled “An Evening With Sevendust,” which kicks off in Athens, GA at the Georgia Theatre.
Recording King introduces the Dirty 30's Tenor Banjo, bringing 100 years of history into the present with the rugged, road-ready vibe of the Dirty 30's line. The tenor banjo first came to prominence in the early 1900's, and its C-G-D-A tuning is especially well suited for folk, Celtic and Dixieland music.
During last week's 2014 Winter NAMM Show, the Guitar World crew visited the always-popular Taylor Guitars booth. In our video, which you can check out below, Andy Powers tells us about the company's new T5z model, the T5Z Classic and the Custom Grand Symphony model.
One of my favorite half hours at NAMM 2014 was spent with Andy Powers, master luthier for Taylor Guitars. Andy proudly shared the new Taylor 800 series with me, and boy was it worth my time. While those of you who have tried to check out gear at NAMM know that It’s incredibly hard to hear anything, this series of guitars sure felt fabulous and the rich resonance was unmistakable.