Today we’re excited to share this captivatingly beautiful song from Louise Goffin’s sixth solo album, Songs From The Mine. With a lifetime spent soaking up the finest music of her generation (her parents are Carole King and Gerry Goffin), Goffin used the benefit of her heritage and experience to deliver a rich palette of beautifully written and performed songs.
Today we are stoked to share a new song from Walter Salas-Humara. It’s “Satellite,” a laid back, clap along track with a cool groove, that has us searching for communication from above! Salas-Humara, a visual artist and singer/songwriter, is co-founder of the seminal Americana band The Silos. He’ll release this third solo album (and first in 18 years), Curve and Shake, on August 12 via The Orchard.
Perhaps their most explosive and thrilling release to date, Rodrigo y Gabriela's 9 Dead Alive captures the duo bursting with melodic and rhythmic invention. Opening track “The Soundmaker” is evidence of this raw energy. Watch an exclusive performance of the song right here!
I started writing songs before I could play the guitar. I've been trying to catch up to what I hear ever since. The process, since day one, has been like waiting for the arrival of friend. Never a literal attempt at creating. It has been going on at a steady clip for a long time now. I find writing the song the easy part. The hard part is making sure I should write the song.
We were lucky enough to get a visit from world class acoustic duo, Rodrigo y Gabriela. Fresh on the heels of the release of their latest album, 9 Dead Alive, Rod y Gab discuss their inspiration for the record, as well as their songwriting process, guitars and much more. As the band's first record of new material in five years, 9 Dead Alive was recorded and produced by the duo at their studio in Ixtapa, Mexico.
Acclaimed singer/songwriter Jonatha Brooke will present two performances of her one-woman show My Mother Has Four Noses on Monday, December 16 and Tuesday, December 17 at 7:30 p.m at the Guthrie Theater's Dowling Studio in Minneapolis, MN. The new play with music, which played to sold out houses at the Playwrights’ Center in August, is pulled from her experiences caring for her mother at the end of her life as she struggled with Alzheimer’s.
My first guitar was a classical, a Garcia, six nylon string classical. I don’t remember buying it, or having it bought for me, but it was the one I played in high school, listening to James Taylor and Bonnie Raitt records over and over and over so I could play them back faithfully.
I woke up this morning so excited to go and demo some songs today that I'm really proud of, and it got me thinking about the path my career has taken. I started as an artist - all I ever wanted to do was be in my own band and write my own songs; I didn't even know you could just have a career as a songwriter until well into my second record
Every day I get to write, and to play music, is a great day, for which I am very grateful. I am a recovering lawyer, and while that was a great gig for me for a while (and while I cast no aspersions whatsoever on the noble profession), as a songwriter I am able to connect with my feelings of joy and gratitude more directly. Here's a story of how stepping away from my usual songwriting routine lead to a flash of inspiration.
Amy Ray has released the first single, "Oyster and Pearl," from her upcoming album, Goodnight Tender. As half of Grammy-winning songwriting folk-rock duo the Indigo Girls, Ray has always been a a little bit country, a little bit rock and roll. But her upcoming solo release, on Ray's own Decatur-based imprint, Daemon Records on January 28, 2014, will be a career first for her -- a pure country music album.
Dave Van Ronk, hailed as “The Mayor of MacDougal Street,” was a prominent figure in the thriving ’60s folk scene in the Greenwich Village. He influenced many young hopefuls in the scene, including the likes of Bob Dylan and Joni Mitchell, and continues to rouse inspiration, most recently as the muse behind the central character in the Coen Brothers’ new film, Inside Llewyn Davis.
In this article I’d like to acquaint you with some great slide licks I like to play in open A tuning. These riffs and runs are super versatile – you can use them to hop up your own blues pieces, employ them as solos in a classic blues song or even just entertain yourself with them on a back porch in the middle of a scorching heat wave.