Nineteen hundred and seventy-two is one of those rare years -- like, say, 1967, 1969, 1971 and 1991 -- that saw the release of several seminal rock albums. As we wrote last year in our 1971 story, "even for a year that falls squarely in the heart of the 'classic rock' era, it was a particularly classic year."
Hello there! Welcome to my first Guitar World column. I'm looking forward to sharing with you in these pages my thoughts on playing, equipment and the music business. Actually, this isn't the first time I've written a column — I used to do one many years ago for an English music magazine called Beat Instrumental. I did it for about eight months and it was great fun, and I'm sure this one will be too.
The following is excerpted from Randy Rhoads by Steven Rosen and Andrew Klein (Velocity Publishing Group). In 1979, Randy Rhoads had to decide whether to stay with a struggling unknown act called Quiet Riot or join forces with the famous former lead singer from Black Sabbath. The decision wasn't as easy as you think. Dana Strum -- the Hollywood-based Badaxe and Slaughter bassist who Ozzy considered for his band -- recalls the events surrounding Randy Rhoads' audition for Ozzy Osbourne.
When it comes to rock and roll bloodlines, you'd be hard pressed to find an active artist with a more impressive pedigree than bassist/vocalist Glenn Hughes, who fronts British/American supergroup Black Country Communion. Hughes, who was born in 1951 in Staffordshire, England, came to prominence in the early '70s as a member of British funk-rock pioneers Trapeze. That led to a career-making spot in the Mk. III and IV lineups of Deep Purple in the mid-'70s, when he replaced Roger Glover and evolved into one of the band's main songwriters, co-penning "Holy Man," "You Keep On Moving" and "The Gypsy."
Black Sabbath have officially announced that they will perform only one concert this summer, instead of the planned world tour. The announcement comes in the wake of Tony Iommi's recent lymphoma diagnosis.