While recording equipment and software has become increasingly more affordable and easy to use, mastering has remained an elusive and expensive final step in the recording process. To successfully master a track, you either need to download and learn how to use a pricey plug-in or bite the bullet and hire a professional.
Have you ever bought a guitar slide and had intentions of ripping new leads with it, only to discover when you get home that it’s damn near impossible to use? Yeah, I’ve been there, too. Playing slide guitar, well, takes a little dedication in practice, but also in the way you set up your gear, too.
It seems like only yesterday that the Fabulous Thunderbirds, an upstart rocking-blues band from Austin, Texas, released their debut album, Girls Go Wild. It was, in fact, more than three decades ago. Since that time, Jimmie Vaughan, the T-birds’ founder and guitarist from 1976 to 1989, has gone from being a skinny kid with a Strat and a perm to one of today’s elder statesmen of the blues.
Many guitarists complain that they can't keep guitars with Floyd Rose (or Floyd Rose-style) tremolo systems in tune. Because of this, many players write off the Floyd Rose all together. So, with that in mind, I've prepared a few tips to help you with the three most common problems you might encounter.
It’s impossible to think about Eighties rock without vibrant visuals of half-naked dudes prancing around stage wearing more makeup and hair product than a horde of groupies. Even though the period broke almost every unwritten rule of rock and roll, it became one of its most successful sub-genres. So, what if this current Eighties revival is stronger than we realize and hair metal rises from the ashes like a Spandex and lace-clad phoenix?
What possesses a musician to obscure his or her ugly mug with a mask or makeup? There are probably as many reasons as there are noodles in a box of Kraft Macaroni & Cheese: showmanship, shyness, chronic acne and participation in the witness protection program are a few of the more popular explanations.
In this first lesson, you’ll learn how to use 7th and 7#11 arpeggios to outline the tritone sub in a ii V I chord progression, allowing you to take your soloing chops up a notch and begin to create lines in the same vibe as your favorite jazz guitarists at the same time.
As you might know, the minor blues scale has that unique note that distinguishes it from the pentatonic scale (the augmented 4th or diminished 5th). In Am blues, for example, it’s Eb or D# (They are enharmonic tones, same pitch, different names). But when should we call it the first or the latter — and what’s the difference?
I sat down with Mark Pirro, bass guitarist for the Polyphonic Spree and Tripping Daisy, to talk about the greatest of DIY recording techniques: recording something in the bathroom. Pirro had a completely unique take on the subject, using the bathroom as a mixdown echo chamber!