Guitarist Walter Trout has a resume that reads like a who’s who of rock and blues legends. From his days in Canned Heat, John Mayall & The Bluesbreakers to playing lead for John Lee Hooker, Big Mama Thornton and Bo Diddley Walter paid his dues and then some. I spoke with Walter to hear all about his new CD Blues For The Modern Daze, which was released April 24 via Mascot Music Productions.
In this Sick Lick, I use a combination of the blues scale (Pentatonic flat 5) and the Diminished Scale in the key of E Minor. These two scales are, by far, my favorites. They create very aggressive sounds and are adaptable to all kinds of music. I'm incorporating the use of my left thumb to actually fret notes on the neck. Now I'm not doing this in the traditional form where we may use our thumb to play bass notes; rather, I'm bringing my thumb from around the back of the neck to fret on top of the fretboard.
Don't look now, but there may be a winner for the longest-lasting modern garage rock band, and it's a bit of a shock. Apparently, things made in Sweden just last longer. The Hives rode in on the same garage rock revival wave as the White Stripes, the Strokes and the Vines. However, unlike the other groups of the movement, the Hives never made the mistake of taking themselves too seriously.
I recently sat down with one of the brains behind the metal monster that is Testament, riff master Eric Peterson. We talked about all things metal -- including gear, practicing, touring and more -- in this two-part interview. Keep your eyes peeled for Testament's upcoming release, The Dark Roots Of Earth.
In The Beatles’ catalog, “Hey Bulldog” is a bridge between the psychedelic excesses of 1967 and the rock and roll revivalism they would pursue on the White Album and Let It Be. Written by John Lennon, the song is a straightahead rocker featuring a seductive boogie-style riff and some excellent aggressive lead guitar work.
I’ve got my new bone nut fitting well in the nut slot. The ends have been trimmed down a bit, leaving about 1/16-inch overhang on either side. It is a good idea to creep toward the destination rather than cut the nut to the exact width of the slot. If you do that, there is no length left for filing and polishing without coming up short.
It’s the second week of the Bush and Nickelback tour and I've made it back to my hometown of NYC. While a lot of people move to New York for a little while and claim to be New Yorkers, those of us who were born in Manhattan or one of the boroughs might beg to differ. My father is from Howard Beach, my mother is from Ozone Park, and I was born in Rosedale: the trifecta of Queens.
Sheffield Corporation. Nice venue with good backstage and a great pub just 50 meters up the street. We’ve played here at least two times before so it should be a good night. First things first: few drinks and quick visit to toilet facilities at local pub.
In this Sick Lick, I am using the E diminished scale. This is one of my favorite scales. Not only does it create a powerful sound; it also works very well with the pentatonic scale and can be adapted to anything from jazz to metal. I incorporate a lot of three- and six-string arpeggios while using the diminished scale. It's a great way to move around the guitar at speed, and it creates a real intensity in your soloing.