Hey! This is Joshua and Lou from We Came As Romans. We’re currently out headlining across the US on the "I’m Alive" Tour, supporting our very recently released sophomore album, Understanding What We’ve Grown To Be. This tour has been a blast so far, crowds have been awesome and all of the bands are close friends of ours.
Welcome to part 2 in my “The Art of the Practice” series of articles. This is where we seek to interject your practice with some much needy variety, novelty and fun. Which is exactly the way it should be. In this post, I’m going to take a two-pronged tact. Here we go:
A few days ago, I caught another very cool show at The Iridium on Broadway and 51st Street here in Manhattan. It was the opening night of a two-night visit by Tony Levin's band, Stick Men, and the Adrian Belew Trio.
Shelby Lynne doesn’t want to talk. Not about gear, not about songs, not about the why, when, and how. She just wants you to listen and draw your own conclusions. But my first pass through her new, aptly titled album, Revelation Road, left me with a million questions!
Legend has it that Joe Elliott met guitarist Pete Willis by chance after missing a bus, and upon auditioning it became apparent that Elliott had a pretty special set of pipes on him, and that's why you've raised a glass to "Pour Some Sugar On Me," gazed forlornly out of the bus window to "Have You Ever Needed Someone So Bad" and banged your head to "Rock Of Ages."
Not at all. For the type of music I sign at Roadrunner - which is lifestyle - all the bands will live or die based on whether they are able to kill it onstage. Live performances are the true tests for any lifestyle band; it's where they "sell it."
I'll remember him most for his undeniable contributions to the computing world, changes that led me away from being an ordinary PC user to a staunch Apple products user, who is still learning to find the boundaries of seemingly limitless capability that these products serve in my everyday life, from personal to business.
With Collective Soul, I have to take a different approach when it comes to doubling since there are three guitar players in the band. What we usually do is to have each guy play his part using a completely different guitar/amp setup for each track. When it comes to solos or any melody bits, I’ll typically double them using my homemade amp so we have some options at mix-down.
In this post, I would like to discuss a musical device known as diatonic substitution and how it may be used in a rock or metal context in regards to the guitar. Diatonic substitution is simply swapping one chord for another in the same key.