George Harrison played many a classic guitar during the course of his career, popularizing some models so extensively that he is inextricably linked with them. In the Sixties, during his time with the Beatles, he helped make famous the Rickenbacker 360/12 electric 12-string, a rosewood version of the Fender Telecaster, and the Gibson J-160 acoustic/electric, among others, while his solo years saw him in possession of guitars by famed luthier Tony Zemaitis.
People always ask me, "What is it like? Tell me the story of the road!” Well, in short, it's, “Pack up a bag of shirts and shoes, lace up them sneaks and play the damn blues. You've got to drive, eat, sound check and sleep, get back in the van and play for the peeps ..."
It's unlikely John Lennon had much of anything to do with recording Harrison's second Abbey Road contribution. He was still out of commission from his July 1 automobile accident when work began on this Harrison track on July 7 in Studio Two.
In 1990, guitarist Ned Evett smashed his Strat onstage. When he noticed the neck was unbroken, he simply removed the frets and developed a style he'd eventually become known for -- even developing his own fretless, mirrored-glass-necked guitars along the way. His own website refers to him as "The Glass Guitarist," and Joe Satriani has called him "a monster player."
Personal audio products have made earphones ubiquitous, but they've also raised the potential for hearing loss and nerve damage. Crescendo wants to change this. The Miami-based company has made hearing protection something of a cause, such as with ear plugs that allow performing musicians and their audiences to enjoy the show without blowing out their ears.
It hadn’t occurred to me that recording with an electric guitar would be all that different from recording acoustic. I was wrong. Over the years, I have developed a decent working knowledge of Pro Tools and have access to some nice mics. I’ve learned the proper mic’ing technique for recording acoustic guitar and have experimented with mic placement, mixing in the built-in pickup track, EQ-ing and more in order to get a pretty good acoustic recording.
Musicians are just like normal people, and, like us, they run into people throughout their lives who just annoy the hell out of them. However, musicians don't need to resort to passive aggressive Facebook posts to voice their frustrations. Here are three of the harshest character critiques via song.
So everyone in 2012 is an expert. Recently, I was speaking on a panel concerning music business trends in 2012 (Easy: Record industry is slowly shutting down, the music business is fine). Then the subject turned to the issue I thought we've covered ad nauseam: “Poor man’s" anything.
OK, we’re back and ready to begin. Last week I sanded the lacquer finish off of most of the neck and prepped the fingerboard to receive new fret wire. I used a radius block to sand the fingerboard and maintain its 7.25-inch radius, and ran the grits from 180 to 600. Since this neck is going to be oil finished, I wanted it to feel as silky and smooth as possible.