Some albums heap sophistication on every track, burdening each chord with subtlety and making listeners work for every sonic breakthrough. They are albums that are best heard through headphones while staring plaintively at the wall, absorbing every nuance. Like Radiohead.
The AO-3CE is a small-body, orchestra-style acoustic with a cutaway and Fishman electronics. It features a solid Sitka spruce top along with laminated mahogany sides and Guild’s unique arched-back body design that delivers plenty of volume. Other features include bone nut and saddle, koa roseete, pearl inlays and an included lightweight polyfoam case.
Anyone learning how to play jazz guitar will know that the blues makes up a large part of the jazz soloing, comping and writing traditions. From the licks famous jazzers play, to the chord progressions they write their tunes over, the blues is deeply integrated into jazz soloing and composition.
The main challenge with this technique is the stretches. It's very important when practicing this to make sure you have your thumb right behind the neck and you're holding the guitar in a comfortable position to allow maximum finger stretch. Also, be mindful of any discomfort you may feel in your hands or wrist when practicing this. If you are cramping or experiencing pain, stop and practice again after a break.
Just a few days ago, I spent a week with 42 metalheads aged 10 to 19 at a destination Metal Camp at Camp Lakota in Wurtsboro, New York. It was a fantastic, positive experience on several levels, fueled by young energy, enthusiasm and "go get ‘em" attitude from the young rockers. Many of them wanted to make metal music their life. While I was there, I started to collect my thoughts the definitiuon of "success," and what it could mean to them as metal musicians.
I find that the Speaker Cranker is an essential stompbox if you use a single-ended amplifier, such as the Marshall JCM 800, or a two-channel amp with a rhythm and lead channel to deliver much-needed gain for harmonics and solos. The pedal does color your sound, but in a good way, slightly darkening the tone to take out any high-end harshness.
With this post, I’d like to discuss a somewhat disturbing condition I’ve observed over the years, one that seems to afflict a lot of my songwriting compadres. Believe it or not, sadly I’ve noticed … (He whispers) …many don’t actually listen to all that much music.
So your band is looking to take it to the next level. Or perhaps someone has offered to pay your way out of the home studio scene and into a big studio you've only seen pictures of. This week I want to discuss the pitfalls I have witnessed and how to avoid them. I swear I could make a living saving bands money -- if they would only listen. You don't have to trust me, but read on. I may just be saving you not only thousands of dollars but your actual career.
This edition of Exposed is a little different than those I’ve done in the past. Why? Because it has a theme. You might know I'm producing an event at the end of August called the Women’s Music Summit. In the throes of creating this event, I’ve come across a slew of talented guitarists. Some I’ll have the pleasure of meeting at the Summit; others have just crossed my path while I’m knee deep in the event’s production.
When we first recorded our demo and pushed it out online, we primarily posted our music on forums and sites that we were regulars on and/or familiar with. You want to be sure that you are taken seriously; spamming sites/people with your music is never a productive way of getting it out there.