The company makes something called the Sound Hole Pickup Mount. And while its name seems pretty self-explanatory, I’ll go a bit deeper. The mount clips onto the sound hole of your acoustic guitar without any modifications and without leaving behind marks of any kind.
Of all my musical influences, classical violinist Niccolo Paganini has to be on top of the list. Though he lived in the late 18th century (long before image became as important in the making and marketing of musicians as their actual music), his extreme personal magnetism coupled with truly mind-boggling technique made him the world’s first bona fide rock star.
I'd like to address a very meat-and-potatoes bit of info that very rarely gets mentioned. Who should I emulate to be a session guitarist? The answers and the reasons for each may very well surprise you. You might assume you know how to play like these guys, but, until you really try it, you do not know how!
As Christmas and the holidays swiftly approach, I’m looking forward to taking some much-needed time off, and with that, I present to you my holiday gear wish list. There were so many great pieces of gear to choose from that I wish I could list them all, but I’ve picked the ones that stood out for me.
Christmas time is here again! So sang the Beatles on their 1967 Christmas record, one of several now-collectable flexi-discs issued annually to members of the band's official fan clubs in the UK and the US. The records, which often were mini-masterpieces in their own right (1966 and 1967 in particular), featured spoken and musical messages from all four members of the band.
When learning how to play jazz, and other improvisational genres of music, learning how to play the seven modes of melodic minor is an essential skill any guitarist should have in their soloing tool belt. While we know that learning the seven modes of melodic minor is important, sometimes it can seem like a tough task, and we feel we have to start from scratch when learning these seven modes.
When I started playing again after taking a few months off, I immediately noticed how weak my fretting hands where when trying to execute string bends and vibrato. These exercises will gradually build up your finger strength and stamina. Each exercise will become progressively more difficult and require stronger technique.
For many guitarists learning to play solos, it can be easy to fall into a rut based on a certain hand position of a scale, and in doing so forget to play melodically. In this lesson, we will focus on learning to effectively incorporate melody into a solo. After all, iconic melodies are what set great guitar solos apart in many instances.
This week, I'd like to discuss some tricks I've learned to make a guitar really stand out in a track. As a producer, I have to make many decisions. One of the main decisions concerns the dominant feature of the song. Since we are all guitarists here, let's just assume the guitar is going to be the main focus (as opposed to a more "vocal" song). Next, we see what kind of song is it. For this blog post, let's use a rock track. By that I mean we want the guitar sound to be distorted, creamy, fat, juicy with some delay.
If you haven’t already noticed, this fear-based mentality crops up a lot in local music scenes everywhere. A jaded old-timer rambles off why the music industry is a trap to an enthusiastic newcomer who didn’t ask for his opinion. “It’s all about the money,” he wheezes. Hmmm …