Mooer has released the Mod Factory, which packs 11 effects into a micro pedal design. With only one switch, four knobs and a chart explaining everything on the side of the pedal, it almost seems too easy. The effects are Chorus, Flanger, Phaser, Envelope Phaser, Tremolo, Stutter, Vibrato, Univibe, Auto-wah, Touch Wah and Envelope Ring.
This lesson deals with groups of five 16th notes, which is tough already, but then it gets harder. I've been loving the sound of Tosin Abasi's double-thumbing and have been trying to find my own ways to use it. This example incorporates the double-thumb technique with finger picking. If you're not familiar with it, you can still use your pick, but I'd suggest learning it because nothing else sounds quite like it.
For me, some of the best metal songs, like many of the classic tracks on Metallica’s Master of Puppets or Megadeth’s Rust in Peace, have these qualities. The majority of the riff is played in even eighth notes, and I stick with alternate (down-up) picking throughout.
This month, I’m going to demonstrate how one can utilize simple triadic shapes and patterns in order to imply more complex and varied chord qualities. I find this to be a very cool and useful improvisational tool, because you can apply it to playing over either a chord progression that you want to outline melodically or over a static pedal tone.
"With Stones Gear, I wanted it to be even more over the top. So if you’re a Stones fan, you can read the story of the band, learn about the equipment they used and actually see pictures of the band using the equipment from sources that people just don’t have access to.”
Many of the greats have that unique quality to their playing that can be instantly discernible from others. Sometimes it's the way they vibrato a note or their particular phrasing style. This generates a powerful sense of familiarity with listeners, which is similar to recognizing a singer's voice.
We all have busy lives and responsibilities that distract us from our playing. For this reason, I've developed a quick, intensive guitar "workout" that can be completed in 30 minutes. You can use this by itself as a quick practice when time is limited or incorporate it into a longer practice session. Either way, this workout will help develop your playing in a number of important areas.
I decided to start this off by using the most common saying heard when someone lays their eyes on one of my guitars for the first time (myself included): It’s a cigar box guitar! It is played similar to a regular guitar, and it can do almost anything a regular guitar can do; it just takes some creativity and a little imagination, much like the building process.
I’d like to focus on riffs and rhythm ideas that represent what I think of as “the real deal” metal. I’ve designed these riffs to help you build up both your pick-and fret-hand technique in regard to executing pure metal ideas like these with power and precision.
Part 7 is very interesting because it relates very closely to Part 3. This new section follows the same themes within Part 3, but in a different relative key. Part 3 was based around Bb major, which is the relative major scale of G minor. Part 7, however, features the same themes but played in G minor and, in some sections, G harmonic minor.