My name is Paul Pigat, and yes, I admit ... I'm a guitaraholic. I've been chasing the “guitar dragon” for most of my life. It all started when I found a 1928 Gibson Nick Lucas Special. I was 15. A guitar of this caliber in a young man's hands is a dangerous thing. It leads to a never-ending quest for the “perfect” guitar (aka TONE LUST!).
This week I would like to thank everyone so much for all the emails. It really helps me to understand what I can say here to help you become a better player and become a session player. And remember, you can leave comments right here about this topic or any future topic you have any questions about.
Ninebuzz offers apps in five different genres, including Acoustic Blues, Humbucker Blues, Jazz, Reggae and Rock, each for $1.99, and a Combo App with all five styles for $5.99. Each style features a major and minor jam track that can be transposed to the keys of A, B, C, D, E and F, as well as charts of each chord progression and scale diagrams of the corresponding major and minor pentatonic scales.
John Lennon was killed in New York City 31 years ago today. That's more than three decades' worth of pissed-off Beatles fans asking, "What If"? What if Lennon were still alive? What kind of music would he be making right now? At what point would the Beatles have gotten back together? Would it have been awesome or a horrible mistake?
Epic Ink recently unveiled The Guitar Collection, a lavishly over-sized tome showcasing the most culturally important, historically significant and visually stunning guitars ever made, from Billy Gibbons’ “Pearly Gates” 1959 Gibson Les Paul, to Stevie Ray Vaughan’s “Number One” 1962 Fender Stratocaster, to Eric Clapton’s “Crossroads” 1964 Gibson ES-335TDC.
In a perfect world, an A&R person should be able to hear a great song through even the crappiest recording. However, considering the ease with which bands can make their own inexpensive, high-quality, and professional-sounding demos, there is simply no reason to turn in a poor recording these days.
Hey guys, Tom here from Dead Letter Circus to share further about my understanding of song writing. This week I’ll look at my song writing in a little more detail and start to get into the meat and bones of my writing style. The focus here will be on the early stages of writing, and what I call, trimming the fat.
When I think back to when I was 13 or so growing up and learning to play guitar, there were definitely some moments of discovery that I consider key in my musical journey. The first time I heard Van Halen was one of those moments. It wasn’t only the fact that the songs kicked ass or even David Lee Roth’s swaggering personality; it was the guitar! The guitar sounded HUGE!
This post deals with a simple but hugely important topic: how to practice! As a professional guitar instructor, it is my job to address various weaknesses in my students' playing and remedy the issue by constructing some kind of creative plan that will lift them out of a particular trapping.
A while back, I was approached by HBO to deliver some "authentic Mexican music" -- their description. So what, in my infinitely humble way, did I do? I tried to write and perform that authentic Mexican music myself. It probably won't surprise you to learn that, as a white Canadian Jew who had never before attempted to play traditional Mexican music, I wasn't quite able to pull it off. The HBO people rejected my submission.