In the early '70s, performers like the Alice Cooper Band, Kiss and Lou Reed posed the musical question: “Is there really anything more grotesque, outrageous and demented than being a teenager?” With that simple query — and a whole lotta makeup — the surprisingly durable genre of Shock Rock was born.
I’ve been a professional studio guy for some 30-odd years. In that time, I’ve learned a few tricks, playing methods and recording techniques I can share with you to make your playing standout and have the client call you back time and time again.
There are some guitar body shapes that obviously aren’t meant for comfort, like the Flying V, or those retro VOX Teardrop guitars. But if you’re considering a new guitar, and you want one that really feels like it fits your body, here are some things to consider.
I'm Matt Brown, a producer, engineer and guitarist for A Pale Horse Named Death (featuring members of Life of Agony, Type O Negative, Biohazard) and Seventh Void (featuring members of Type O Negative). I'm also a touring sound engineer for Lou Reed, among others.
After a successful year of touring the U.S. in support our chart-topping indie debut We Stitch These Wounds in 2010, we decided that in 2011 we would Set The World On Fire with our major-label sophomore release.
One day in 1993, I was walking through the streets of Boston. There was a guitar shop around the corner from Berklee called Cambridge Music. I was hanging with my homies from Philly, and we were walking the streets, smoking joints and messing around. I had no idea my musical life was about to change. We walked by Cambridge Music and I stopped dead in my tracks. There in the window was MY guitar. How much is that doggie in the window!?!
My tune "Breaking Point" was used by Ken Burns in his recent "The Tenth Inning" baseball documentary. It’s cool when an original guitar composition gets licensed for a film project. It’s way cooler, however, when I’m asked to compose for a specific project.