Since we are one of the few national magazines that regularly covers heavy metal, I get a shit-ton of it. Most of it, quite frankly, is frustratingly mediocre — and mediocre is my least favorite music. I actually enjoy hating something better than being bored by it. When I hate an album, at least means I’m feeling something and I’m alive.
Another relatively easy way to play fast is to use sweep picking, a technique in which the pick is dragged or "raked" across the strings, playing only one note per string. Sweep picking can be very useful for playing open-voiced arpeggios, as in FIGURE 16, and weird wide-interval licks, as in FIGURE 17, quickly and with minimal effort. When sweep-picking, be sure to mute each string with the left hand immediately after picking it to prevent the notes from ringing together and sounding like a strummed chord.
In our new series, "Dear Record Label," we went to Roadrunner Records -- home of Slipknot, Rob Zombie, Opeth, Megadeth, Kenny Wayne Shepherd, Trivium and more -- and asked them the tough questions that young bands should know the answers to. Each week, we'll be bringing you advice from members of the Roadrunner staff to try and get you on track to get noticed.
When Mimi Fox was eleven, she started teaching guitar lessons out of her house. That’s right – eleven years old. The fact that she could make more money teaching guitar than babysitting opened her eyes to what would become her future. (Hmm, changing poopy diapers or sharing some six string savvy. Which would you choose?)
This week, I’m shifting gears and talking about some different topics than the past few weeks, which mostly dealt with some of the rock legends I’ve played with and how I got there. When attempting to come up with an interesting and informative topic for other guitarists (young and old), I thought that certain players' influences would be cool to talk about.
Ah, the quest for tone. I imagine that sooner or later, every musician desires to possess a sound that flows with the sweet feeling of inspiration. Eric Johnson is a long-tenured seeker who has certainly reaped the sonic rewards of his efforts. He recently took a moment with me to discuss the gear he is using as he tours in support of his 2010 release, Up Close.
The brainchild of Jane’s Addiction’s Perry Farrell took over the Windy City last Friday through Sunday, every day drawing more than 90,000 fans, who came in droves to see headlining sets from Foo Fighters, Coldplay and My Morning Jacket and performances by more than 100 other artists.
What's shakin', tough guy? Like I promised at the end of last month's column, this time I'm gonna light you up on how to do "harmonic squeals," like the ones at the end of "Cemetery Gates" (Cowboys From Hell.) A bunch of you have written in asking about this technique.