I'm Matt Brown, a producer, engineer and guitarist for A Pale Horse Named Death (featuring members of Life of Agony, Type O Negative, Biohazard) and Seventh Void (featuring members of Type O Negative). I'm also a touring sound engineer for Lou Reed, among others.
After a successful year of touring the U.S. in support our chart-topping indie debut We Stitch These Wounds in 2010, we decided that in 2011 we would Set The World On Fire with our major-label sophomore release.
One day in 1993, I was walking through the streets of Boston. There was a guitar shop around the corner from Berklee called Cambridge Music. I was hanging with my homies from Philly, and we were walking the streets, smoking joints and messing around. I had no idea my musical life was about to change. We walked by Cambridge Music and I stopped dead in my tracks. There in the window was MY guitar. How much is that doggie in the window!?!
My tune "Breaking Point" was used by Ken Burns in his recent "The Tenth Inning" baseball documentary. It’s cool when an original guitar composition gets licensed for a film project. It’s way cooler, however, when I’m asked to compose for a specific project.
Too many people get caught up in tweaking their gear, getting bogged down in theory or doing what amounts to hours of non-musical calisthenics in order to perfect some inhuman guitar or bass technique.
If you haven’t heard the word rockabilly before, first let me say shame on you for not knowing your music history. But you’re in good company, because radio stations don’t seem to know the genre, either.