There’s this nagging question I can’t get out of my mind. How does Dolly Parton play guitar with those long fingernails? ‘Cause it’s been decades since I gave up any thought of having nails that went more than a millimeter past the ends of my fingertips.
"Calhoun Surf" is the first song I ever wrote. It was 1978, and I was living in Minneapolis, not far from Lake Calhoun. I’d been wanting to start a band and had just remembered how much I liked surf instrumentals.
I’m just a guy who grew up in Brooklyn in the '60s, started playing piano at around age 9, happened to catch The Beatles on "The Ed Sullivan Show," switched my main interest to guitar, taught myself to play by figuring out solos by Clapton, Hendrix and Page, and 20 years later, went on to meet and work with most of my heroes.
When I got home last Friday night, I informed my 16-year-old son, Kane, that our favorite viking-sized guitar hero, Zakk Wylde, was putting out a book in September. While I can’t say for certain that Zakk has ever actually put pen to paper, there is no doubt that the contents are 100 percent Wylde.
The fresh buzz around my networks this week includes the hook-up of an indie fusion guitar phenom with an exciting new Euro guitar brand. Those not yet familiar with Bryan Baker or Magneto Guitars can discover them now.
Now let's touch briefly on the subject of recording levels and the importance of proper gain staging. If your signal chain consists of one mic into a pre and then into your recording interface, then it's pretty simple.
Last month, Dave Depper, a Beatles-loving sideman and multi-instrumentalist who's seriously hooked into the Portland, Oregon, music scene, released The Ram Project, his own version of Paul and Linda McCartney's celebrated 1971 album, Ram.