Most of you will probably agree that you often start with an amp setting, tweak as you go through a few other options and then tell yourself that some of the initial settings sounded the best. However, you realize you have a hard time pinpointing exact previous locations of the control knobs. You can get it close, but not exact.
If you're following along with Guitar World's Winter NAMM coverage on Twitter, you know we've been taking a ton of gear photos. We've posted a massive gear photo gallery, and today we bring you another gallery. Most of these pics capture the mood of the NAMM Show and give you an idea of what an average "NAMM day" is all about.
The 2013 Winter NAMM Show kicked off Thursday, January 24, in Anaheim, California, and Guitar World is there, keeping you up to date on the latest new-gear introductions and news, plus updates via Twitter and Facebook.
My students often ask me how they can break away from typical root-fifth power-chord rhythm figures. My solution is to devise a variety of different two-note chord shapes—built from pairs of notes, like root-fifth power chords—that sound great when applied to metal, even though these chord shapes can be used in virtually every style of guitar-based music.
In the last installment of Guitar Strength, I showed you how to take a simple two-string fretboard shape and move it across three octaves in order to create long, fluid lines that traverse a wide range. This time, I’ll show you how to take the technique to the next level by combining “neighboring” shapes.
The diminished 7th scale is a great way to maneuver around the the guitar, especially when you adapt three string arpeggios. The shapes you can create have a fantastic flow and make it easy to move up and down the neck freely.
Many of us know it is important to use arpeggios to outline chords in our licks, phrases, melody lines and solos. While we know learning arpeggios is important, we can become bored with our playing if we stick to using root-position, R-3-5-7 arpeggios to build our licks and melodies.
While your average songs usually exhibit an era-specific quality influenced by the zeitgeist of their time, the truly great tunes, those considered by our culture as such throughout history, actually exhibit the opposite; a quality of “timelessness."
Canadian-born Joni Mitchell originally intended to be a fine artist and considered herself a hobbyist musician in the early Sixties, occasionally playing paid gigs to support her painting studies. That all changed by the mid Sixties, when personal issues inspired her to channel her thoughts into music that would soon be covered by folk artists like Tom Rush and Judy Collins.