I have followed Townshend, The Who’s guitarist and principal songwriter, since the mid-'70s, from listening to his tunes, seeing him perform and eventually having conversations with the man himself. At the New York Public Library’s October 8 Q&A event to discuss Townshend's new autobiography, Who I Am, I've come full circle, back into strictly listening mode. It's the place the veteran rock star feels most at ease. He speaks, we listen.
Being a professional musician looks like one of the coolest things a person is paid to do, and I'm sure it usually is. There's the road tripping, the stalker-like enthusiasm of fans and the freedom to pursue almost any twisted vice you can come up with.
One hundred million records, 14 Top 10 singles on the UK Singles Chart and 21 hits in Billboard's Hot 100. They’ve traveled the world and back many times over and even scored a No. 1 hit for James Bond. Now bassist John Taylor is opening up the vault on Love, Death and Duran Duran.
While I feel the pentatonic scale is extremely useful and great in its most basic form, sometimes those five notes aren't enough to make the statement I wanted to make in my phrase. The idea of these examples is to help re-grab the listeners' attention and make them say, "What was that!? That wasn't what I was expecting!"
With a majority of today’s songwriters having powerful recording tools at their disposal, just a laptop’s click away, and the line between home and studio recordings blurring daily, writers/artists are now finding themselves, more and more, in the role of de facto producer when looking to capture their latest creations.
When you sit down to listen to Kaki King’s new release, Glow, you’ll be struck by the pristine recording quality, the crystal-clear tone, the acoustic separation and the compositions that stem from masterful and moving arpeggiations. But it’s when you see King play live that you experience her true genius.
Most of us don’t give our guitar’s top nut a second thought until something goes wrong. I bet the last time you bought a guitar, you didn’t spend much time checking the top nut ... if at all. We make a bigger fuss of scratches, dents and chips in the finish than the parts that influence the playability. We've all done it.
Whenever I'm soloing or improvising — at a show, during recording or at home — this is the scale I tend to base all of my playing around. As I mentioned above, it's extremely versatile, and it's the perfect building block for creating a killer solo or runs to rip your friends' heads off!
So much of what counts for live performance on YouTube is actually the mere editing of a studio musical performance within live footage. A web audience cannot truly know if it you are capable of delivering your type of material in an evocative fashion with just a dubbed video.