If you're going to use a volume control, you will need to use a 9/32-inch bit to make a hole for the volume post. The next thing I'd do while the soldering iron is heating up is take some steel wool or sand paper and lightly sand the back of the volume control. There's a fine. oily finish on the back of these to keep them from rusting, but it needs removed before you start to solder. Read on!
Last time we learned how to combine two completely different triads (three-note chords) to create a six-note hexatonic scale. Using E major and F# minor triads to illustrate, we generated the blissful, gospel-flavored E major hexatonic scale (E F# G# A B C#) and looked at some neat examples of the many things you can do with it. As I mentioned at the end of the lesson, there’s a virtual mother lode of cool and unusual hexatonic scales waiting to be unearthed. All you have to do to find them is combine any two triads that don’t share any common tones (hint: combining E major and E minor won’t give you six different notes because both triads contain E and B).
Garage rock bands are usually known for their effort, as opposed to their skill; more sweat than style, in other words. We listen to bands that take their act on the road day in and day out, taking few breaks and seeing roadies more than their families. Bands that leave their mark on the stage literally, with blood, sweat and maybe a few tears. Now other genres across music may be taking their cue from these road warriors.
Hi, gang! Seventy percent of my time as a session guitarist is spent soloing and/or coming up with parts. These can also be considered mini solos or licks. Or, as we call them from a songwriting POV, hooks. A memorable little snippet that repeats through the song. Or maybe just a part to wake listeners up during the second verse.
While 1990's Cowboys From a Hell was a radical reinvention for a band that wrote "Ride My Rocket," Vulgar Display of Power was the next logical step in the evolution of Pantera, further refining their signature recipe of equal parts groove and thrash into a piledriving cacophony truly worthy of the tag "vulgar."
While the other guys stayed in beautiful Bradford for a day off, I ventured to Oxford where I used to live for one and a half years. Nice city with great pubs, but also lots of posh students and tourists.
In photography, the term depth of field is often used to describe what object retains the focus and what is blurred out. In a long depth of field, everything is sharp and ready for examination while in short dept of field you will see the sharpness emphasizing the main subject, while the remainder of the picture is blurred out.
In this Sick Lick, I'm using the A Minor Pentatonic Scale. The lick is played high on the neck, which makes some of the transitions very difficult, but the results are worth it. We start this lick with a five-string arpeggio, then slide up to the 22nd fret and start moving back down the neck. You'll notice most of the really fast sections are created with three- and five-string arpeggios.
Anyone who’s ever made an effort to learn some music theory knows that one of the biggest turn-offs is the sound of the major scale harmonized in triads (three-note chords). But before you dismiss the intellectual approach to learning music as being hopelessly tedious and uninspiring, realize that it doesn’t have to be that way.