Concert Review: Van Halen's Van-Sanity at Madison Square Garden
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New Yorkers are getting a brief break from Lin-sanity this week as Van Halen came to Manhattan to perform two shows at Madison Square Garden, where the storyline shifted from the Knicks to guitar licks.
It’s been more than four years since the band’s last appearance at the venue, although it’s been only two months since Van Halen’s surprise warmup show at Greenwich Village’s tiny Café Wha?, a venue smaller than Van Halen’s current arena stage.
A lot has gone down since the last MSG gig — the band released A Different Kind of Truth, Ed had reconstructive surgery on his hand, and Wolfgang transformed from teenager to adult — but these developments all led to huge improvements in the band’s performance.
While the 22-song set list (plus a drum solo by Alex and guitar solo by Ed) that the band performed Tuesday night, February 28, was similar to the one they played on their 2007-08 tour, songs from the new album (“She’s the Woman,” “Tattoo,” “Chinatown” and “The Trouble With Never”) replaced tracks from Van Halen’s first album, and deep cuts like “Hear About It Later,” “Women In Love” and “Girl Gone Bad” took the place of “And the Cradle Will Rock,” “So This Is Love?” and “Mean Street.”
The band has altered the set list slightly each night on the tour, usually substituting one song for another instead of making wholesale changes like the Grateful Dead or Radiohead.
Besides the opportunity to hear new material and a handful of classic Van Halen songs that the band hasn’t performed for almost 30 years, the main reason even the most casual Van Halen fan shouldn’t miss this tour is Ed’s phenomenal guitar playing, which is as good — if not better — than it’s ever been.
His solo section near the end of the show, which blends “Eruption,” “Spanish Fly” and “Cathedral” is still mind-blowing as Ed unleashes a flurry of tremolo picked and classical-inspired tapped lines with incredible speed and precision. Ed’s solos on “Girl Gone Bad” were also standouts, flowing like astral-projecting Coltrane as notes flew furiously and effortlessly from his fretboard.
Old diehards may still bitch about the absence of Michael Anthony, but Wolfgang has proven to be less of a replacement and more of an enhancement with his growling, percussive bass tone and melodic fills that add a new aggressive vitality to the band’s sound.
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Zip Line Guitar
March 29, 2012 at 4:50pm
Atlantic City - Van Halen Concert Review
I have been hearing so many good things about the Van Halen concert, in which I definitely wanted to go see them this time around. I was away on business when they were performing at Madison Square Garden. I purchased tickets for the Atlantic City show on March 24th (11th row floor seats, on Wolfgang’s side of the stage). Below I am going to breaking this review down per performer with a short summary to end it.
•Wolfgang - He has a very boring and lifeless stage presence. Ok, so he can play bass and so can millions of other people. It was like I was watching Chastity / Chaz Bono playing bass guitar (Yawn). Please bring back Michael Anthony with his Jack Daniels bass guitar. At least Anthony can play and entertain the left side of the stage in his own right. Eddie, it’s time to kick Wolfe out of the nest and let him fly on his own. With the Van Halen last name, Eddie and Uncle Alex’s backing he should be fine in any band that he creates.
•David Lee Roth - There were 3 main issues with Dave’s performance 1) When Dave wasn’t singing a lick; his face was wearing a fake perpetual smile. He looked like a cheesy deranged bobble head doll. 2) All the fans understand that Dave is getting older. The use of the floor boards and foot slip-ons gimmick did not bring any coolness to Dave’s stage show, even thou Dave thinks it does. I’m surprised nobody has told him to lose the slip and slide trick. 3) I don’t know if Dave’s mike levels were too high or if he was screaming too loud. I could not hear him singing most of the songs. It seemed much distorted. Eddie’s and Wolfgang’s back-up singing was more clear and understandable.
•Eddie - Eddie’s play seem to be loose and not as tight as years past. I was looking for Ed to move around the stage more. The reason he didn’t was because of the use of numerous foot pedal effects. You would figure that with his talent he wouldn’t need many of them. Well you thought wrong. I can tell you that Eddie did step it up for his guitar solo. Ed hammering away at his guitar was as enjoyable as when I first saw the band back in 1982.
•Alex - The best performer out of this quad. He can still hit and roll those drums like none other. I loved the intro for “everybody wants some”. Only one little issue, some additional sounds and background music was piped in during Alex’s drum solo.
In conclusion, the band is slipping a bit and is definitely showing their age. Well maybe not in the studio but it shows on the stage. I even had an issue with the encore. Dave blurts out we don’t have to leave the stage to come back for the encore. The issue is, they only played 1 song (Jump) for their encore. Almost every single concert that I have been to in my entire life, an encore consists of a 3 song set and some rambling babble in between the songs. This Van Halen show reminded me of a wounded animal that needed to be put down for it final rest.
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virginiapicker
March 03, 2012 at 5:00pm
"...especially on “Dance the Night Away” when David Lee Roth apparently chose to sing the melody to an entirely different song."
LOL! Yeah, he does that, doesn't he? Always has. And he doesn't care, which is part of why he's Dave, and why we love him.
Man, I'm pumped up to see them now. 2007 show was terrific.
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1984redux
March 01, 2012 at 10:53pm
I WAS AT THIS SHOW TUES NIGHT. LET ME JUST TELL YOU THEY CAME WITH THE REAL THUNDER OF OLD. IT WAS AWESOME TO SEE VH BEING THE GREATEST BAND IN THE WORLD AGAIN.
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wooten
March 01, 2012 at 1:11am
Aside from Eddie being mixed too low on the new album, it's a killer record. Sounding great live, too!














