In Deep: Southern Rock Lead and Rhythm Guitar Techniques
Andy Aledort looks at the rhythm and lead tricks of the southern-rock greats.
The following content is related to the November 2012 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
Nearly half a century has passed since the Allman Brothers Band released their ground-breaking eponymous debut album on Capricorn Records in 1969. Combining elements of blues, rock, jazz and country, the Brothers forged a unique sound that emphasized virtuoso guitar playing, powerfully emotive vocals and deft, inspired group interplay and improvisation.
The Allmans were the spearhead of the nascent southern rock movement, which quickly grew with acts like the Marshall Tucker Band, Wet Willie, Charlie Daniels, Elvin Bishop, Lynyrd Skynyrd, .38 Special, the Outlaws and Molly Hatchet.
Part 1
Part 2
Part 3
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bundyman1
September 20, 2012 at 1:12pm
Great lesson! RE: Part 2... I was taught that any time two major chords are next to each other in a progression, they would be the IV and V-- as in "Sweet Home Alabama" for D-C-G, making G the I chord. I've always used G major for the solo or D Mixolydian, but Andy did a fantastic job of demonstrating other scales for the simple rhythm. I never thought D major (Ionian) would fit and have heard many guitarists do this where that C# in a D maj scale doesn't quite work. As always, GW rocks!















