The blues is a style of music that guitar players have explored extensively for more than a century, and will no doubt continue to explore, expand on and creatively reinvent forever. Though standard blues forms may seem simple, the greatest musicians in virtually every genre have been known to dedicate a great portion of their musical study on a further and deeper understanding of the blues in its many different incarnations. In this edition of In Deep, we’ll focus specifically on the eight-bar, as opposed to the more commonly used 12-bar, blues form.
In last month’s column, we explored a variety of ways to apply a modal approach to improvisation, with specific focus on minor tonalities and building from lines based on the E minor pentatonic scale (E G A B D) to ones based on the E Dorian mode (E Fs G A B Cs D), as well as E Dorian’s “parent” scale, D major (D E Fs G A B Cs).
When Bob Marley brought the Jamaican sounds of reggae to the U.S. in the early Seventies, he created a musical revolution. His first two Island Records releases, Catch a Fire and Burnin’ (both issued in 1973), included the hits “Stir it Up,” “Get Up, Stand Up” and the mega-smash “I Shot the Sheriff,” which when covered in 1974 by Eric Clapton helped catapult Marley to international acclaim.
Buy any Guitar World In Deep DVD for only $5. Choose from How to Play Ozzy Osbourne's "I Don't Know,"/em> How to Play Chicken Pickin',How to Play Reggae & Funk,How to Play the Cream of Eric Clapton,How to Play in the Style of Jeff Beck,How to Play Guitar Weirdness and How to Play Like Keith Richards and the Coolest Guitarists of All Time.
Sooner or later, guitarists in every genre of music begin to wonder about the modes: what they are, how best to learn them and how to use them effectively when improvising. In this edition of In Deep, we’ll take a look at the theoretical basis for the modes and cover a few useful ways to apply a modal approach to soloing over commonly used chord vamps.
Nearly half a century has passed since the Allman Brothers Band released their ground-breaking eponymous debut album on Capricorn Records, in 1969. Combining elements of blues, rock, jazz and country, the Brothers forged a unique sound that emphasized virtuoso guitar playing, powerfully emotive vocals, and deft, inspired group interplay and improvisation.
In How to Play Guitar Weirdness DVD, Guitar World editor and instructor Andy Aledort shows how to play outside the box using chromaticism, pentatonic superimpositions, symmetrical diminished scales and more!
With the growing popularity of rock music in the mid-to-late Sixties, a great many young up-and-coming musicians were inspired — and encouraged — to push the limits of the musical form beyond anything that had come before.
Freddie King is among the triumvirate of the greatest and most influential electric blues guitarists ever, revered with equal respect alongside the legendary blues gods B.B King and Albert King. Together, they are often referred to as "The Three Kigns" — all complete masters of their craft and essential subjects of study for any inspiring blues guitar enthusiast.