Even though Metallica's James Hetfield makes it look all too easy, there are countless guitarists who find it challenging to sing while doing anything on the guitar — besides strumming. Some players (myself included) even get bent out of shape when they're asked to provide the simplest of vocal harmonies while playing basic to semi-challenging riffs.
I'd like to address a very meat-and-potatoes bit of info that very rarely gets mentioned. Who should I emulate to be a session guitarist? The answers and the reasons for each may very well surprise you. You might assume you know how to play like these guys, but, until you really try it, you do not know how!
Since the guitar's inception, there have undoubtedly been talented players that could make the instrument sing, but it wasn't until the mid '60s and the arrival of the wah pedal that one could make it cry.
Here we have two musical titans teaming up for a moving rendition of a Pink Floyd standard. It’s Roger Waters with Eric Clapton performing Pink Floyd’s “Wish You Were Here.” The clip was originally broadcasted during an NBC fundraising program to benefit those effected by the December 26, 2004 tsunami that struck the Indian Ocean region.
"I remember hearing 'Hey Jude' by Wilson Pickett and calling either Ahmet Ertegun or Tom Dowd and saying, 'Who's that guitar player?'" says Eric Clapton in the top video below. It turns out the guitar player was a 22-year-old Duane Allman, aka "Skydog."
Eric Clapton, Jack Bruce and Ginger Baker gave birth to the power trio, redefined rock improvisation and sold millions of albums. For all their success, Guitar World tells how nothing could stop the Cream from curdling.
As we reported over the weekend, former Cream bassist Jack Bruce died Saturday, October 25, at age 71. Earlier today, his former Bluesbreakers, Powerhouse and Cream bandmate, Eric Clapton, shared a brief instrumental track in honor of Bruce. You can hear the song, simple titled "For Jack," below.
Robert Johnson and J.J. Cale represent the yin and yang of Eric Clapton’s musical influences. On one side is Johnson, the famously troubled Thirties-era Mississippi bluesman who moaned about hellhounds on his trail, spooks around his bed and those lowdown, shakin’ chills. On the other side is Cale, the famously laidback singer-songwriter from Tulsa who penned laconic odes to singin’ whippoorwills, “chugalugging” and shakin’ tambourines.