Critics snubbed it upon its release in 1972, but Exile on Main St. has become one of rock’s greatest landmarks. Keith Richards recalls the making of the Rolling Stones' masterpiece and how the album’s new reissue project became a walk down memory lane.
Paul McCartney, who had unofficially taken up the job of lighting various fires under the band after Brian Epstein's death, had a plan to get his band mates back into the spirit of things and, more importantly, back into the studio: a "return to our roots" approach that would make little or no use of studio artifice or multiple overdubs.
Many people believe that possessing talent alone is enough to guarantee an artist success in the music business. Nothing could be further from the truth. In a perfect world, the best musicians — the best guitarists — would be amply rewarded for their abilities. The music business, however, is far from perfect.
With a lot of talent and a little bit of luck, a new generation of acoustic guitar fingerstylists are blazing a new style of percussive, alternate-tuned shred. In the Eighties, radical fingerstylists like Michael Hedges and Preston Reed pioneered an acoustic guitar style based on an alternate-tuned, percussion-heavy, new age–tinged sound.
Just as an overworked Lennon and McCartney came up with an overnight masterpiece in 1964 with "A Hard Day's Night" amid a stressful filming and recording schedule, the Beatles responded to time constraints in 1965 with another monumental step forward called Rubber Soul.
Eric Clapton, Jack Bruce and Ginger Baker gave birth to the power trio, redefined rock improvisation and sold millions of albums. For all their success, Guitar World tells how nothing could stop the Cream from curdling.