The sound of the guitar was so untamed, and it lit a fire inside me to approach the guitar like a weapon. The lore behind Let There Be Rock is that Angus and Malcolm Young would face a Marshall against the wall and crank the sucker all the way up. You can tell the amp was turned up unbelievably loud: you can practically feel Angus' fingerprints rubbing against the strings.
“Fuck it, Hitchcock,” drawled Dime, downing the dregs of his beer. “We’ve been hammering this for hours and we’re out of booze. Interview and lesson over…we’re hitting a bar, goddammit! Put the camera and tape machine away, I’ll film me playing the riffs we went over when I get home and Fed Ex a tape to ya.”
Has any piece of musical equipment proliferated more, or more rapidly, than the humble electric guitar effect unit? Though there is no official tally, suffice it to say that thousands of stomp boxes, effect devices and processors have been created for the electric guitar over the past 60 years (and that’s not including rackmount effects). Conceivably, more than half of those devices are distortion, fuzz and overdrive effects.
The recently remastered and stripped-down versions of Double Fantasy offer a revealing glimpse into John Lennon’s spirit and artistry. In this Guitar World exclusive, session guitarists Rick Nielsen and Earl Slick and producer Jack Douglas discuss the stories and sounds behind Lennon’s final album.