The first thing that I did was write a song. As far as I can tell, it was called “Bluebird.” I still have the piece of paper, and it’s a little difficult to decipher. It looks like the scribblings of a mad schizophrenic. I remember playing that for hours and trying to impress my family that I already started writing songs.
The sound of the guitar was so untamed, and it lit a fire inside me to approach the guitar like a weapon. The lore behind Let There Be Rock is that Angus and Malcolm Young would face a Marshall against the wall and crank the sucker all the way up. You can tell the amp was turned up unbelievably loud: you can practically feel Angus' fingerprints rubbing against the strings.
The Beach Boys had a really cool guitar sound. I also liked the guitarists in the Searchers and the Dave Clark Five. Then Jimi Hendrix and Pete Townshend hit, and it turned the guitar world on its ear. The more I got into playing guitar, the more I enjoyed music and the broader my listening became. The instrument itself became important to me, and I started messing around with classical guitar and took classical lessons.
He influenced a generation and changed the course of metal forever. Guitar World presents the complete, untold story of Jeff Hanneman, Slayer’s guitarist for more than 30 years and the man behind such legendary thrash anthems as “Angel of Death,” “South of Heaven” and “War Ensemble.”