Few musicians in the history of rock have been as beloved—revered, really—as Ozzy Osbourne’s late guitarist and musical soul mate, Randy Rhoads. Only 25 when he was killed in an airplane accident in 1982, Rhoads managed in a few short years to establish himself as one of the most innovative guitar players in the world.
Regarded by many as the three most vital purveyors of pure hard rock/heavy metal sonic evil, AC/DC’s Angus Young, Led Zeppelin’s Jimmy Page and Black Sabbath’s Tony Iommi have each forged a distinct, instantly recognizable guitar style and sound. After more than three decades of dedicated service, all three players continue to influence countless up-and-coming metalheads the world over, and an in-depth study of each guitarist’s distinct musical personality is mandatory for any aspiring hard rock player.
Bass is more than just a guitar with two fewer strings. It has a different tone, scale length, feel and musical role, and in many cases it requires a different conceptual and technical approach. Guitarists who are new to playing bass will often double the guitar part one octave lower. There is certainly a place octave doubling — just listen to Aerosmith's "Sweet Emotion," Led Zeppelin's "The Ocean" and Pantera's "I'm Broken." But there is so much more that can be done with the bass guitar.
Has any piece of musical equipment proliferated more, or more rapidly, than the humble electric guitar effect unit? Though there is no official tally, suffice it to say that thousands of stomp boxes, effect devices and processors have been created for the electric guitar over the past 60 years (and that’s not including rackmount effects). Conceivably, more than half of those devices are distortion, fuzz and overdrive effects.
On 50th anniversary of the Beatles' arrival in the United States (and legendary appearance on the Ed Sullivan Show), Guitar World celebrates the 50 best guitar moments from the band's hit-making history.
Once upon a time, the mere act of strapping on an electric guitar and cranking up an amplifier marked one as an outsider, a rebellious badass who refused to live by the laws of a "decent" society. But today's cookie-cutter rockers and forgettable pop janglers make studying for the priesthood seem like an edgier pursuit than playing guitar in a band.