Many people believe that possessing talent alone is enough to guarantee an artist success in the music business. Nothing could be further from the truth. In a perfect world, the best musicians — the best guitarists — would be amply rewarded for their abilities. The music business, however, is far from perfect.
Below, check out the latest photo gallery of Guitar World magazine covers. This time, we "cover" 2008 through 2014. Because we're in a "completist" mood, this photo gallery also includes all the different variations of certain covers, including four different versions of an Eddie Van Halen cover from 2009.
Has any piece of musical equipment proliferated more, or more rapidly, than the humble electric guitar effect unit? Though there is no official tally, suffice it to say that thousands of stomp boxes, effect devices and processors have been created for the electric guitar over the past 60 years (and that’s not including rackmount effects). Conceivably, more than half of those devices are distortion, fuzz and overdrive effects.
In 2004, the landscape of mainstream rock was jarred once again by Green Day's American Idiot. An incredibly ambitious rock opera that touched on politics, depression and suburban ennui, it shifted millions of copies and re-established the trio as the American pop-punk band.
Luckily, musicians in search of quality signature gear — from guitars to amps to effects to pickups — don't have to worry about that nonsense. Generally, gear manufacturers work closely with their signature artists, in some cases, right down to the tiniest of details (Some artists repeatedly send back the prototypes until they're perfect).
What, exactly, is a headphone album? Well, the definition changes depending on who you are. For audiophiles, a headphone album is a work that is so exquisitely recorded that it demands that you have to listen to each beautifully recorded note under a sonic microscope. Something like Miles Davis’ Kind of Blue fits that bill.
Stevie Ray Vaughan released four studio albums, a live album and a Vaughan Brothers album, not to mention enough leftover live and studio material to fill several posthumous albums and a box set. He even found the time to perform on albums by several other artists — from Teena Marie to Stevie Wonder to Don Johnson — very often with fiery results.