Has any piece of musical equipment proliferated more, or more rapidly, than the humble electric guitar effect unit? Though there is no official tally, suffice it to say that thousands of stomp boxes, effect devices and processors have been created for the electric guitar over the past 60 years (and that’s not including rackmount effects). Conceivably, more than half of those devices are distortion, fuzz and overdrive effects.
In this Guitar World exclusive, we’ve gathered together Mustaine and his Megadeth coguitarist, Glen Drover, Lamb of God’s Mark Morton and Willie Adler, Arch Enemy’s Michael Amott and Fredrik Akesson and Trivium’s Matt Heafy and Corey Beaulieu to teach you the essential skills of modern shred.
“Wanna hear more?” When Lou Reed asks you a question, you know you’re being tested. For the past quarter of an hour, he’s been holding forth on the subject of power tube distortion. Now he wants to know if I’d like him to keep going.
Twenty years after Kurt Cobain suffered for the sins of corporate rock, Nirvana rise from the vault in a deluxe box-set reissue of their great grunge apotheosis, In Utero. GW delivers the gospel according to Dave Grohl, Krist Novoselic and Pat Smear.
From “Dazed and Confused” to “You Shook Me” … from “Tangerine” to “The Lemon Song” … from “Trampled Under Foot” to “Stairway to Heaven” … Guitar World presents a critical analysis of the classic-rock group’s best tracks. With the recent release of Celebration Day, the concert film immortalizing Led Zeppelin’s historic and most likely final reunion concert at London’s O2 Arena on December 10, 2007, guitarist-producer Jimmy Page reminded the world just how profoundly great and enduring his band’s music is.
Many people believe that possessing talent alone is enough to guarantee an artist success in the music business. Nothing could be further from the truth. In a perfect world, the best musicians — the best guitarists — would be amply rewarded for their abilities. The music business, however, is far from perfect.