On the first leg of Van Halen’s A Different Kind of Truth tour, toward the end of the band’s set, there was a moment during the middle of Eddie Van Halen’s solo spot in the show where the world seemed to stop spinning. Even the techs, security staff and backstage production personnel would stop what they were doing to focus on the celestial sounds emanating from the stage, with huge smiles on their faces that mirrored Ed’s beatific grin as he unleashed a staggering cascade of notes. At that particular point in Ed’s solo, it was clear that there was no place in the world that they’d rather be.
A host of musicians, celebrities and comedians — including Duff McKagan, Sharon Osbourne and Scott Ian — turned the heat up on guest of honor Zakk Wylde at Guitar World’s Rock & Roll Roast. The result? A brewtally funny good time.
It's 11 a.m. on the day after Halloween, in the Koreatown neighborhood of Los Angeles. The sun is shining and Guitar World is up bright and early (well, at least by rock-star standards) to meet with Mastodon at the Wiltern Theatre.
Lamb of God’s first blatant attempt at expanding their sound—and the receptiveness of their audience—was heard on 2009’s Wrath. On that record, they moved away from the multitracked guitars and modern production of the massively popular Sacrament and returned to a purer live guitar sound.
While The Beatles spent the first months of 1969 getting back to their roots with the Let It Be sessions, EMI's Abbey Road Studios was moving headlong into the future. On November 23, 1968, Studio Two's control room had been outfitted with EMI's new TG12345 mixer, the first transistorized recording console in Abbey Road.
“The best music happens when you have a personal connection to it,” My Chemical Romance guitarist Frank Iero says. “That same philosophy can extend to the instrument you hold in your hands: if a guitar means something special, you’re bound to do great things with it.”
His Nashville studio is full of sweet vintage gear, but Dan Auerbach isn't just a retro-obsessed guitar hound. The Black Keys guitarist gets his motor running for an in-depth discussion about his group's latest album, El Camino.
More than a decade and a half has passed since Jeff Tweedy formed Wilco from the ashes of alt-country pioneers Uncle Tupelo. In that time, the group has risen to become one of the most revered acts in current popular music, mining a singular sound that is simultaneously anchored in a rootsy approach and meandering along rock's outer sonic limits.