Here's another entry from the "Look what's making the rounds on Facebook!" file. It's a (vertically shot, ugh) video of a one-armed guitarist named "Mark" playing a high-quality version of Jimi Hendrix's "Voodoo Child (Slight Return)," outdoors, on a street, somewhere.
OK, this 2009 video is anything but new—and it's aging as I type this!—but it just wound up in my inbox for the first time ... and I like it. It's a brief clip of Jeff Beck and his then-bassist, Tal Wilkenfeld, playing a duet of sorts on Wilkenfeld's bass at New York City's Irving Plaza April 10, 2009.
Simply put, Axemen of Sweden, an upcoming film, is a documentary about Swedish guitar heroes. The film features appearances by Fredrik Åkesson (Opeth), Kee Marcello (Europe), John Norum (Europe), Mattias IA Eklundh (Freak Kitchen), Per Nilsson (Scar Symmetry), Jessica Gardlund and more.
In this month’s installment of Absolute Fretboard Mastery, we’ll be going a little bit deeper into the modes by learning how to apply them across our fretboard. But before we get into that, I want to address a common misconception a lot of guitarists have when learning the modes. They think of modes as completely separate entities, as opposed to different aspects of one scale.
In this lesson, I'm going to show you a two-hand tapping workout based on the foundation of my previous lesson, “Pentatonic Workout: Increase Left Hand Strength and Produce Great-Sounding Sequences." Assuming you're already comfortable with the five positions of the pentatonic scale and the sequences discussed in this previous lesson, we'll now take it to the next level.