Utopia's Kasim Sulton recently stopped by the Guitar World studio in New York City to play a few songs from his new album, 3, and a few from his Utopia days. Below, check out exclusive videos of Sulton performing his new single, "Clocks All Stopped" (top video), plus Utopia favorites "Libertine" (middle video) and "Lysistrata."
In the video below, Steel Panther's Satchel discusses some of his influences, plays a few of his favorite riffs (including a fair amount of AC/DC) and, most importantly, demos the Yamaha THR10X guitar amp.
Today, GuitarWorld.com presents the exclusive premiere of "High Like a Hurricane," the new music video by Black Light White Light. The song is from the Danish trio's latest album, Gold Into Dreams, which was released in the U.S. October 14. At the core of Black Light White Light is singer/guitarist Martin Ejlersten, and the band is rounded out by brothers Adam and Tobias Winberg on drums and bass respectively.
GuitarWorld.com's latest readers poll—the first annual Jim Dunlop Effect Pedal Throwdown—has reached Round 2! For the past month, we've been pitting Dunlop, MXR and Way Huge pedals against each other in a no-holds-barred shootout. Now the competition is guaranteed to get even tougher.
Metallica performed on The Late Late Show with Craig Ferguson last night, beginning a five-night residency. Their first-night song? The very fitting "Hit the Lights." You can watch their performance below.
It’s always fun to hear fresh acoustic interpretations of songs. But there’s something about covering Iron Maiden acoustically that just seems to work. Take this classical guitar version of “Fear of the Dark” from Thomas Zwijsen. Best known for his arrangements of famous rock, metal and pop songs for classical solo guitar, his interpretation of this Iron Maiden standard is surely a standout. Even as the sole performer on stage, his fluid chops take the song to new heights. (And the video is pretty hilarious too!)
I tap with my middle finger and begin this lick by flicking the string with the finger to get the sound going, doing a "phantom" pull-off to the A note at the fifth fret. I then play a sequence that goes "hammer, tap, pull" and repeats as I move across the strings, initiating the first note on each lower string with a "hammer-on from nowhere."