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Latest Features

Ana Popovic on how her family’s sacrifice started a lifelong love affair with the Stratocaster
By Andrew Daly published
The blues guitar virtuoso tells GW how she found her voice through the Stratocaster, and shares some of her favorites over the years, including a '57 reissue that ruined a family vacation

How Thunder Mother’s pregnant guitarist Filippa Nässil changed her rig to suit her bump
By Ellie Rogers published
The Swedish hard rocker details the challenges of staying on the road into her third trimester – and why it proves you can have everything you want

Cheap Trick’s Tom Petersson on how he pioneered the 12-string bass and influenced a generation of players
By Nick Wells published
Having invented the massive 12-string bass sound back in 1978, Cheap Trick’s Tom Petersson earned his place as one of the most innovative bassists in rock ’n’ roll

Alex Lifeson on his legendary Hentor Sportscaster – one of the true original Superstrats
By Andrew Daly published
The Sportscaster is one of the classic Superstrats and is now in production under Lifeson's Lerxst brand. Here, the Rush legend takes us back to the beginning, explaining why he needed it in the first place

“I always loved Leslie’s beefy sound”: Jamie West-Oram on Mountain, The Fixx and his journey in tone
By Joe Bosso published
West-Oram's guitar tone is reference for a whole generation. Here we discusses its evolution from mono to stereo, and the songwriting approach behind his new solo album, Skeleton Key

From Frank Zappa to Mariah Carey and the first relic job, Adrian Belew’s go-to Strat has lived a life
By Ryan Reed published
Is this the first relic'ed guitar? Belew says so, and it's graced records by Zappa, Talking Heads, David Bowie and King Crimson. It has been on the cover of GW. It is still in service

Meet Heartworms, the six-string experimentalist who went from busking for rent to playing the Royal Albert Hall with St. Vincent
By Ellie Rogers published
Self-taught and self-motivated, Jojo Orme expresses herself through her complex pedal arrangements and quest for uncomfortable riffs

Mark Tremonti and Scott Stapp on the unlikely rebirth of Creed – and why they’ve always been cool
By Joe Bosso published
Thanks to a pair of sports franchises, a bizarre Super Bowl commercial and some shows that sold out in record time, Creed are back. Here, Stapp and Tremonti tell us how it all went down

“Some of the greatest sounds were created on junk!” Joe Bonamassa reveals the secret to getting great tones from affordable gear
By Amit Sharma published
Bonamassa is one of the world's highest-profile vintage guitar collectors but here the blues maestro assures us that affordable options from today's market past the taste test

Sleep Token and Tesseract mixing engineers reveal how to improve your guitar recordings – and it starts with ditching your ego
By Phil Weller published
George Lever and Forrester Savell have worked with some of metal’s biggest names, and now they’re offering you advice on getting the most out of your bedroom productions before, during and after you’ve pressed record
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