Features
Latest Features

Sean Lennon on too many pedals, embracing Acoustasonics, and caring for his dad’s instruments
By Andrew Daly published
He’s glad Yoko Ono stopped him playing John Lennon’s guitars at the age of 12, as he looks forward to touring the new Claypool Lennon Delirium album, using as little gear as he can get away with

Randy Bachman and Burton Cummings on the Guess Who’s fight to return to the stage
By Joel McIver published
Bachman and Cummings talk favorite songs, cherished guitars and what it means to be back as the Guess Who after years of legal struggles

How tuning down and jamming Eagles and Skynyrd unlocked the return of Swedish doom heroes Monolord
By Jon Wiederhorn published
Neverending finds the venerable Gothenburg trio expand their sound under the supervision of Tool producer Sylvia Massy, adding light and shade to those riffs – and more guitars

How Jared James Nichols took Blues Power to Dave Grohl's Studio 606 and super-sized his sound
By Amit Sharma published
On this year’s Louder Than Fate, Nichols is spreading his creative wings, and – with some help from a one-of-one amp made for Jeff Beck – venturing into new musical pastures

How Adam ‘Nolly’ Getgood went from Sikth super-fan to playing in the band
By Nick Wells published
Former bassist for Periphery, Getgood pinpoints the pickup selection and pick technique he’s been using onstage with Sikth

Bruce Watson on the story of Big Country frontman Stuart Adamson’s ‘Peace in Our Time’ Les Paul
By Scott Rowley published
Bruce Watson shares the story of a guitar that encapsulates the time Big Country tried to break America – before they took their Scot rock sound to Moscow

Tyler Bates on creating chaos with Reba Meyers in Marilyn Manson, and the gear he uses to score blockbusters
By Phil Weller published
The guitarist and film score composer has had a varied career – but he can’t seem to escape one amp and a “god box” pedal

Amps and pedals that sound great with Fender Telecasters
By Jamie Dickson published
The world's first mass-produced electric inspired overdrive pedals, brought the best out of Fender's black-panel combos and pairs very nicely with a splash of some spring reverb
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