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Latest Features

It may not be flashy, but Mike Dawes’ acoustic rig is truly mind-bending
By David Mead published
A new album, a collaboration with Periphery and a touring schedule that would make many artists weep are all in a day’s work for Mike Dawes, one of the world’s foremost percussive guitar specialists

Buzz Osborne on how he forged a unique voice in heavy guitar playing – and why new guitars are better than vintage
By Andrew Daly published
As a cult hero of underground American rock, Buzz Osborne describes his band Melvins as “an avant-garde, weird thing”. And as a guitarist, he’s all about heaviness and spontaneity…

“Where’s the noise?”: The Dandy Warhols on their struggles with the wrong guitars and amps
By Andrew Daly published
With influences ranging from Pantera and Black Sabbath to Bauhaus, an ever-changing pedal chain, and a mission statement that’s never changed, the Dandy Warhols are still – 30 years into their career – keeping it weird

With Strats, Magnatones, and an all-star lineup of friends, Slash embraces the blues – with one of the last Dumbles ever built
By Jonathan Horsley published
Turning to spontaneity, and changing habits both gear and playing-wise, Slash's new record is a laid-back, charming tribute to an ever-lasting strain of guitar playing

Dug Pinnick on pushing hard rock’s boundaries with Kings X and a 12-string bass guitar
By Nick Wells published
Dug Pinnick’s onstage presence with King’s X is made even more compelling by his unusual 12-string bass guitar

St. Vincent on returning to real amps, stealing Josh Homme’s secret weapon – and how she overcame her fear of Strats
By Jenna Scaramanga published
St. Vincent’s new album, All Born Screaming, sees her teaming up with two Foo Fighters, using Prince’s favourite pedal and embarking on a prog odyssey. It also sees her return to real amps played real loud…

Up-close with the 1974 Martin guitar that Eric Clapton used to write Wonderful Tonight
By Jamie Dickson published
Eric Clapton’s Wonderful Tonight is one of the great love songs of our time. So when the guitar he wrote it on, a 1974 Martin 000-28, came up for auction in London, we didn’t need a second invitation to go and take a closer look

Battlesnake are the triple-guitar lovechild of Queen, King Gizzard and Judas Priest you never knew you needed
By Phil Weller published
We meet Australia’s three-headed metal guitar hydra – are you prepared for Battlesnake?
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