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What made Rory Gallagher a true guitar one-off – and how he ended up with his first Fender Strat by accident
By Amit Sharma published
Jim Kirkpatrick, one of the world's leading experts on Gallagher's playing, puts the late blues-rock hero's tone under the microscope, revealing the gear and approaches that made the Strat-toting phenom one of the all-time greats

The 20 greatest slap bass songs of all time
By Nick Wells published
These masterful slap basslines chart the evolution of the quintessential bass technique, from Larry Graham to today's YouTube heroes

Guitar tuning pegs: everything you need to know about the machineheads that keep your guitar in tune
By Huw Price published
Whether you're looking to upgrade your guitar's tuning pegs, repair them, or just want to understand the differences between models, read on and let this guide demystify the tuning key

How the Fender Stratocaster ushered in an evolution in guitar design – and a revolution in guitar music
By Jonathan Horsley published
The Strat’s radical design transformed electric guitar and reshaped culture, and continues to do so after 70 years of service – and it’s only just getting started

Geezer Butler names the Black Sabbath album that captured his favourite bass guitar tone
By Nick Wells published
Geezer Butler’s pioneering bass tone with Black Sabbath helped set heavy metal’s mood before the term even existed

Trev Lukather on why he loves St. Vincent’s guitars and what he learned from his dad
By Andrew Daly published
The St. Vincent Music Man-toting son of Steve explains why David Gilmour ranks above his favorite shredders, and how Steve Perry agreed to be on The Effect’s latest single

How to get David Gilmour’s guitar tone, with Steve McElroy of The Australian Pink Floyd
By Amit Sharma published
The Australian Pink Floyd Show mastermind has bought just about every piece of gear Gilmour has ever used. He reveals the secrets behind his Strat tones and techniques – and settles a few myths and legends

Listen to Robert ‘Pops’ Popwell rip it up on The Crusaders’ Sweet ’N’ Sour
By Chris Jisi published
Popwell played a red 1962 Fender Precision, with an added Telecaster pickup near the bridge
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