Features
Latest Features

How the hunt for clicks has made the lone guitar intro obsolete
By Phil Weller published
Contemporary counterparts to Smoke on the Water and Whole Lotta Love are increasingly rare. Are we about to see the tables turned?

How to survive setbacks when music is your identity, not just your job
By Glen Phillips published
Australian metal veteran Glen Phillips on what he wished he knew when he was starting out

75 years of the Telecaster: the evolution of the original solid-body electric guitar that started it all
By Huw Price published
As the Telecaster turns 75, we chart its history – hardware, parts, and all – from the Nocaster days to the Wide Range era

“I’ve never concerned myself with the Big Four”: Gary Holt and Lee Altus on why Exodus will never be a legacy thrash act
By Jon Wiederhorn published
The Bay Area thrash stalwarts return with the face-ripping Goliath, an album that finds them with nothing to prove but Holt's still out for blood anyway

Linda Perry on the enduring success of 4 Non Blondes’ What’s Up?, and the Goldtop she wouldn't sell to Slash
By Andrew Daly published
The veteran hitmaker recalls attending guitar class without owning an instrument, and reveals why she decided to re-record the smash she wrote for Christina Aguilera

The difficult birth of The Sisters of Mercy’s trailblazing goth classic
By Joel McIver published
Billy Corgan loved First and Last and Always so much he invited guitarist Wayne Hussey to his home to jam it. Over 40 years on, Hussey and Gary Marx look back on its dark majesty

“As it was going up in the air, I thought, ‘Wow, that looks so cool.’ On the way down, I was thinking, ‘What did I do?!’ Joe Perry on his customized ‘50s Gibson Les Paul Junior that refused to die
By Andrew Daly published
The Aerosmith guitarist on the iconic Junior with the custom mother-of-pearl inlay, his desert island guitar – and why he reads Guitar World every month

A rare look inside Prince's world – record label battles, 3am sessions and wildfire guitar genius
By Alan di Perna published
The year is 1994: Prince has changed his name to O(+>, is at war with his label, and is readying a smoldering, guitar-heavy blues/funk trio album. GW was given rare access to his inner sanctum – his band, his studio, and even the elusive man himself
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