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“I’ve always favoured humbuckers. They’re what my heroes used – Clapton, BB King and Paul Kossoff”: Connor Selby on his greatest gear hits and misses, and the Gibson ES-125 that was the bargain of the century
By David Mead published
The up-and-coming blues ace stops by to talk all things gear: the buying, the selling, and the regrets along the way

“There does seem to be something of an obsession with lighter guitars”: Do lighter electric guitars sound better?
By Neville Marten published
The debate surrounding the effect of weight on electric guitars and tone is long-running and often divisive. Our panel of experts, er, weigh in

“I bought a right-handed Hofner, re-strung it and learned to play like a lefty, which was a nightmare”: How The Bootleg Beatles’ Steve White became a carbon-copy Paul McCartney
By Joel McIver published
Think you can play a bit like Sir Paul? It’s not as easy as you think, says Bootleg Beatles bassist Steve White

“I asked Ibanez for a Telecaster-style guitar with a single neck pickup. I was expecting them to make fun of me and say no!” Standards’ Marcos Mena is bringing joy to virtuoso playing with his custom mint green tapping machine
By Ellie Rogers published
As the pop-shred maestro honed his fruit-inspired instrumental math-rock technique, Ibanez warned him his neck-pickup-only AZ might look bad – but it turned out to be his perfect guitar

“When I struggle with live sound, I think, ‘Oh God, I can play so much better when I’m just in a room and I can hear myself…’ But that’s when I dig in and try harder”: Tommy Emmanuel and Molly Tuttle give a tone, technique and touring masterclass
By David Mead published
It’s not often that you find two of the world’s greatest acoustic players on tour together, and we couldn’t resist the opportunity to invite them for an interview and video masterclass…

“I was tired of not being able to hear my guitar when I played. I got a Gretsch Country Gentleman, and that changed the game for me”: Vincent Neil Emerson’s star is rising fast – whether he’s playing a Chet Atkins electric or rare George Harrison acoustic
By Alison Richter published
The Texas storyteller tells his story so far – from Neil Young tunings to Shooter Jennings collaborations and how he channels raw emotion through his guitar leads

“If you don’t have good tone with just your amp and your guitar, ain’t no pedal gonna help you”: Sue Foley is dropping truth bombs and nylon-string blues in her tribute to the pioneering women of guitar
By Jim Beaugez published
One Guitar Woman finds Sue Foley getting technically adventurous as she covers Sister Rosetta Tharpe, Memphis Minnie and Maybelle Carter

"I was ill and when I picked the guitar up again, I wasn't playing Joe Satriani stuff – I was struggling to play Oasis!" Jack J. Hutchinson on how illness changed his playing style and his Black Crowes-inspired pedalboard
By Tom Poak published
British blues guitarist and songwriter Jack J. Hutchinson on pedals, power trios, solos – and the illness that derailed his career
![IDLES's Mark Bowen and Lee Kiernan [right]](https://cdn.mos.cms.futurecdn.net/7NmfKqjZr8S39kVfaGSgbn-320-80.jpg)
“We’re trying to avoid sounding like a conventional guitar band… Our goal has always been to expand what guitars can do”: Idles’ radical guitar duo dissect their “violent, dark tones” and explain why modeling is “wack”
By Henry Yates published
Savage, socially charged and allergic to cliché, Idles are less categorisable than ever on fifth album, Tangk, and its dynamic guitar partnership Mark Bowen and Lee Kiernan are holding nothing back

“John was constantly seeking better solutions, which manifested as astonishing woodwork and innovative electronics”: Remembering John Diggins – the luthier who built guitars for Tony Iommi and the first Red Special replica
By Paul Balmer published
Diggins was the mastermind behind Jaydee Custom Guitars and had over five decades of experience in making top-quality instruments
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