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“I have Marshall, Orange and Victory amps, but they just don’t have the bark I need for this project. The 5150 is what metal sounds like to me”: Meet Jaguar Throne, the UK metal big beasts following in the hoofprints of Mastodon
By Amit Sharma published
Steve Sears builds a bestial, musically adventurous sound with dark prog vibes, monster riffs and some serious production savvy
![The Gaslight Anthem's Alex Rosamilia [left] and Brian Fallon live onstage in London](https://cdn.mos.cms.futurecdn.net/Z36eCsuZHnH5JrU68pYe7K-320-80.jpg)
“Some people use one guitar, one amp, and then, ‘This is what I am going to use for the rest of my life’... We change it up as much as we can”: The Gaslight Anthem are on an eternal tonal quest
By Jonathan Horsley published
Brian Fallon and Alex Rosamilia give us the guitar story behind comeback LP History Books – and tell us why you might hear a Def Leppard influence if you listen closely enough

“I just need one good sound and I’m set. A lot of players forget that”: Gus G’s tone and soloing philosophy is always evolving – and right now, it’s full of Floyd Rose divebombs
By Amit Sharma published
The Greek guitar phenom goes over the top on Firewind's new album, Stand Up, proving that all those hours locked away with Paul Gilbert instructional DVDs did not go to waste

I used Fender Play for 8 weeks to learn the guitar from scratch – here’s how I got on
By Annie Robertson published
Is it possible to learn the guitar in just 2 months armed with nothing but Fender Play and a beginner acoustic guitar? We find out

“Those virtuoso guys can do anything. But sometimes it’s more fun to hit one note and see if it can mean as much. Sometimes it can mean even more”: Rich Robinson on earning AC/DC’s approval, losing guitars to a hurricane, and The Black Crowes’ return
By Amit Sharma published
The Robinson brothers are back in session as The Black Crowes complete their triumphant comeback. Here, Robinson gives us the guitar story behind the rock ’n’ roll album of the year

Wrestling with noisy pedals? One simple trick made my pedalboard whisper-quiet – and it didn’t cost me a thing
By Michael Astley-Brown published
Forget buying a noise suppressor – sometimes all your rig needs is some TLC

“If you’re not reaching as deep as possible when you’re playing, you’re not fully being yourself. Finding your voice is not being afraid to let out exactly what you’re feeling”: Ariel Posen on telling the truth through music
By Alison Richter published
The Canadian virtuoso explains why the guitar is his safe space, and how he used it to tackle toxic people, broken relationships and forgiveness on latest album Reasons Why

“It was always magical playing bass with Tony Iommi. To me, he's the greatest guitarist ever”: Geezer Butler’s 10 best basslines with Black Sabbath
By Nick Wells published
When it comes to influential metal bands, few can hold a candle to Black Sabbath. These are Geezer Butler’s 10 heaviest rock riffs

“He already had his signature tone and touch, and a few of his signature licks, too”: A year before he was discovered, Jaco Pastorius laid down this classic R&B bassline on Little Beaver’s 1974 hit, I Can Dig It Baby
By Nick Wells published
Recorded a year before he was discovered by Blood Sweat and Tears drummer Bobby Colomby, I Can Dig It Baby finds Jaco Pastorius in his prime

“The initial thought was, ‘What the hell am I gonna play?’ There are so many players on this track, and so much is going on, but they just let me be me”: Steve Lukather takes you behind the scenes of Mark Knopfler’s Guitar Heroes
By Andrew Daly published
Going Home is the all-star charity guitar track of the year, with Knopfler recruiting over 50 players to the cause. Toto legend Steve Lukather reflects on making a little bit of music history
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