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Latest Features

How Michael Manring’s relentless search for new sounds led to the creation of his signature Zon Hyperbass
By Nick Wells published
Michael Manring – the solo bass man, session player and tutor on pushing the bass guitar to its limits

“Most bass players are boring… I’m not because I was a guitarist first”: Lemmy on his switch from guitar to bass
By Nick Wells published
The Motörhead frontman switched to bass guitar while working as a roadie for Hawkwind

Ginger Pooley reflects on her time with the Smashing Pumpkins – and why she had to give it up
By Andrew Daly published
Before she returns to action with Garbage, Ginger Pooley reveals how she went from teenage Pumpkins obsessive to landing the bassist spot alongside Billy Corgan, the challenge of quitting the band she loved, and what she learned along the way

Vince Gill on flying high with Eagles – and why every vintage gear dealer has him on speed dial
By Andrew Daly published
Vince Gill joins us to explain why he’s perfectly happy “ripping powerchords for Joe”, what makes rhythm guitar more important than lead and how to move up the vintage guitar ladder

Ride the Lightning at 40! Kirk Hammett on Satch’s influence and Cliff Burton’s dual harmonies
By Andrew Daly published
Master of Puppets gets all the attention, but it was Ride the Lightning that made the metal legends sound heavier, more epic, and musically more audacious

“If I overplayed behind a singer, there’d be a guy waiting for me with a knife!” Marcus Miller looks back on his 2008 solo effort, Marcus
By Chris Jisi published
Always in demand, Marcus Miller looks back on his 2008 solo effort, Marcus

“My guitar’s meant to be sacrificed”: How Isaac Hale invented the “hell tone” for Knocked Loose’s scariest album yet
By Phil Weller published
Sticking with drop A and passive pickups, You Won’t Go Before You’re Supposed To sees Hale push his chain to its limit via a prototype Überschall amp – and he’s seeing the music reach unsuspecting new listeners

Steve Hackett on his Genesis era claustrophobia and why he recorded with a Brian May Red Special
By David Mead published
The British guitar icon discusses the tones and techniques behind new album The Circus And The Nightwhale – and reflects on the ’what-ifs’ of his time with prog greats Genesis

Listen to Stuart Zender’s isolated bassline on Jamiroquai's Virtual Insanity
By Chris Jisi published
Stuart Zender made an audacious statement with this killer bassline from Jamiroquai’s Traveling Without Moving

Phil Collen on how Def Leppard accidentally reinvented rock guitar on classic album Pyromania
By Jenna Scaramanga published
Pyromania is 40 years young this year is still fresh as a daisy. Collen explains how tones, solos, Mutt Lange and the art of recording one string at a time forged a pivotal moment in rock
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