Features
Latest Features

“With Marvin Gaye, we could feel we were onto something extraordinary. We could feel the magic of Let’s Get It On from the beginning”: Meet Motown mainstay David T. Walker, the session guitarist behind some of music’s all-time classic albums
By Andrew Daly published
Walker’s Gibson Byrdland and Fender Tweed can be heard on hits by Stevie Wonder, Marvin Gaye, the Jackson 5, and many, many others – and he’s never lost his original approach

“I’m constantly going back to Davey Graham… He is massively neglected as an insanely creative player. For me, he’s like Jimi Hendrix – his stuff should be analyzed in forensic detail”: Henry Parker on his journey from metal to virtuoso folk
By Glenn Kimpton published
The English folk phenom returns with Lammas Fair, an album introducing proggy psych to his sound. He discusses his approach to open tunings, paying tribute to acoustic great Michael Chapman, and making the most of resonant strings

“John Lydon once made a stab at poaching Flea for Public Image. At which point Flea keeled over and passed out”: Anthony Kiedis takes a nostalgic look back at Flea’s finest hour from Blood Sugar Sex Magik
By Joel McIver published
Flea’s reputation as a killer bass player almost saw him lured away from the Red Hot Chili Peppers

“Bono always wanted me to play that part with a pick, but I get a different reaction from playing bass with my fingers. There’s nothing quite like that contact of pulling the wires”: Adam Clayton on the U2 sound
By Brian Fox published
Whether he’s playing steady eighth-notes or a rocking counter melody, U2’s Adam Clayton seems to have the perfect tone for every song

“I’d never buy one from the ’70s because I’ve always felt that there’s no such thing as a good guitar from that decade”: Robby Krieger on what makes his 1968 Gibson Barney Kessel special
By Andrew Daly published
In 1983, the Doors guitarist and rock legend posed on the cover of Guitar World with a 1968 Gibson Barney Kessell. Krieger reveals the story behind his fellow cover star – and why it isn’t an SG

The smallest, the simplest, the best? Why the MXR Phase 90 remains a pedalboard classic, beloved by EVH and Gilmour enthusiasts the world over
By Chris Gill published
Famously used by Eddie Van Halen, David Gilmour and Steve Hackett, this single-knobbed phaser pedal has never been out of style, with a chewy psychedelic sound that can't be beat

The Gibson ES-335 has been played by greats including Eric Clapton, B.B. King and Larry Carlton – here’s why guitarists can’t get enough of the iconic semi-hollow
By Chris Gill published
Since 1958, the ES-335 has caught players’ imaginations as only great instruments can

“An American Strat can be great, but there’s something about the tone versatility with my Japanese Strat that can’t be matched”: Meet Alena Ciera, guitarist for David Byrne and CeeLo Green
By Andrew Daly published
The session ace checks in to discuss her approach to storytelling via guitar – and why MIJ Strats rule

“I totally respected Jaco's bass playing, but that 16th-note triplet funk thing – it just wasn't in his repertoire”: Weather Report drummer Chester Thompson on why Jaco Pastorius struggled to swing
By Nick Wells published
In 1975, Jaco Pastorius replaced Alphonso Johnson in Weather Report, but for drummer Chester Thompson, playing with Jaco was “like oil and water”

“It’s nothing crazy, but I have some weird, oddball sounds if needed”: Alex Skolnick reveals what’s on his pedalboard
By Andrew Daly published
Come take a look and see what the jazz phenom and Testament lead guitarist has on his 'board, and find out which pedal gives him “Tommy Bolin and Eddie Van Halen” vibes
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
