Guitar World presents everything you need to turn your smartphone or tablet into an extension of your guitar, including apps that will advance your playing, improve your tone, record your songs and maybe teach you something along the way.
For inlay work, builders often use all kinds of exotic materials, including shells, hardwoods, semiprecious stones and precious metals. When building his Dueling Dragons guitar, luthier Virgil Mandanici of Virgil Guitars utilized all of the above, but he also incorporated two more unusual materials: teeth from prehistoric sharks, for the dragons’ teeth and claws, and puppy teeth, for the dragons’ horns.
Once upon a time, the mere act of strapping on an electric guitar and cranking up an amplifier marked one as an outsider, a rebellious badass who refused to live by the laws of a "decent" society. But today's cookie-cutter rockers and forgettable pop janglers make studying for the priesthood seem like an edgier pursuit than playing guitar in a band.
Why should guitarists have all the fun? GuitarWorld.com recently launched a readers poll in partnership with Samson — the Greatest Rock Singers of All Time! We're certain that, even though our core readership is mainly made up of guitarists from different genres, locations and age groups, you — like us — have strong opinions about the skills (or lack thereof) of some of rock's most legendary singers.
Thirty-four years after the release of Love's So Tough, the Iron City Houserockers' debut album, Joe Grushecky — that band's founder, rhythm guitarist and singer — has released a new solo album, East Of Eden. Throughout his long career, Grushecky has seen countless musical trends come and go. But Grushecky isn’t about chasing; he's about writing songs that speak to listeners in all walks of life.
The sky above London is unusually clear and sunny, devoid of the ever-present rain clouds that regularly douse the capital. Joggers are making good use of this stunning August afternoon by running along the tranquil Paddington Branch canal in the northwest corner of the city.
The number of guitars that Mick Mars has gone through over the past three decades in the limelight with Mötley Crüe probably rivals the total amount of porn stars that Charlie Sheen has dated. Literally hundreds of instruments passed through his hands in the Eighties alone, from the trusty black 1972 Les Paul Custom that he used to record the band’s early albums to various Kramers, Charvels and Hamers in every imaginable shape.