If Jerry Garcia played in a death metal band instead of the Grateful Dead, he might have designed a guitar like the Guardian. At least that’s kind of the idea that Nashville luthier Sean Farrell had in mind when he conceived this guitar.
Maybe it’s the makeup. Maybe it’s the merchandising. Maybe, at the end of the day, it’s just the music itself. Whatever the source, it is safe to say that few bands have inspired as much fervent devotion—and also rabid derision—as the self-proclaimed “Hottest Band in the World,” Kiss.
Swedish progressive metal stalwarts Opeth will soon release their still-untitled 11th studio album, the follow-up to 2011's Heritage, which saw the band veer toward an organic Seventies hard rock vibe.
Teaming up for a second time with executive producer Adam Dutkiewicz (Killswitch Engage) and producer Matt Goldman (Underoath), the Devil Wears Prada have created an album that transcends anything they’ve done before.
There was a time when the name Eric Clapton meant one thing and one thing only: guitar god. His incendiary six-string exploits with the Yardbirds, followed by a pair of mind-blowing 1966 albums—Blues Breakers with Eric Clapton and Fresh Cream—briefly put the passionate young Clapton atop the U.K.’s, if not the world’s, guitar hierarchy.