When someone is widely hailed as the greatest guitar player ever, how do you step up and cover one of his songs? Have you ever noticed that the ratio of Metallica tribute albums to Hendrix tribute albums is something like 20 to 1? When's the last time you heard someone say, "Yeah, he played it better than Hendrix," without a clearly present sarcastic tone?
"Supergroup" is a word that doesn't sit well with a lot of people. For some, it conjures up bloated egos battling for creative control. For others, it makes them think of flash-in-the-pan projects that never had much of a lasting impact.
The mechanics behind basic delay are simple: Play a note or chord into an audio-storage medium, then get that device to play that sound back to you — either once or multiple times — after whatever amount of time makes you happy. Of course, people have improved upon this simple formula, taking delay to new depths and heights, and often including an infinite assortment of types and combinations in one pedal.
B.B. King, Blues Legend: A Step-by-Step Breakdown of His Guitar Styles and Techniques is available now at the Guitar World Online Store for $22.99. This Signature Licks Book/CD Pack will help you learn the guitar licks that made B.B. the undisputed King of the Blues!
For Tool, music and imagery are inextricably united—which is why the group is reissuing its 1992 debut EP, Opiate, in an extremely limited edition with new artwork and collectibles. Adam Jones explains.
The Ocean is a German progressive metal band that began in 2000 and steadily built up a reputation on the strength of their creative experimentation on early albums like Fluxion, Aeolian and Precambrian. Subsequently, they took upon the task of a massive double concept album, released in two parts as Heliocentric and Anthropocentric in 2010.
For today's Flashback Friday video, we're dropping in on Yngwie Malmsteen, circa-1984. Fans who got to see Alcatrazz perform in the early to mid-'80s were treated to bits and pieces of Malmsteen's mastery in pretty much every song — but especially when he took his extended solo breaks.
Malcolm's really underrated. He makes the band sound so full, and I couldn't ask for a better rhythm player. Sometimes I look at Malcolm while he's playing, and I'm completely awestruck by the sheer power of it. He's doing something much more unique than what I do-with that raw, natural sound of his. People like Malcolm, Steve Cropper, Chuck Berry and Keith Richards-they're all doing something better than the rest of us.